By-ways on Service: Notes from an Australian JournalDinning, Hector
History
By-ways on Service: Notes from an Australian Journal
Dinning, Hector
World War, 1914-1918 -- Personal narratives, Australian
Anchored in the harbour, we supposed by habit we should have to be
content with externals and with conjecture as to what was to be seen in
the midst of the city. But we loitered some days to disembark infantry,
and leave was granted freely. One would have easily given a month's pay
for a day ashore--apart from the month's pay he could spend there--had
that been necessary.
Your first business after leaving the gangway is to stave-off the
horde of beggars and gharry-drivers (an Australian cab-rank is put
to shame here) and choose one of the latter's vehicles approximately
respectable. It takes ten minutes' brisk driving to get you well out of
the labyrinth of wharves, docks, and dhows. You emerge by one of seven
dock-gates, vigilated by native police, into the Arab quarter, by which
alone approach to the city proper is possible. Cook's tourists drive
hurriedly through this region, and protect their eyes and noses with
the daily newspaper. The wise man knows that if he is to see Alexandria
he will dismiss the gharry and walk--and walk slowly--through the
native-quarter. In fact, he will care not a damn whether he ever gets
to imposing French and English residential quarters or not....
So, in your wonder at the utter strangeness of everything you overpay
the driver some five piastres and begin to thread your way over the
cobbles. All building is of stone, with a facing of cement, which once
was bright-coloured, but has faded into faint blues and browns and
greys; and if you look up and along the street of crumbling, flat-faced
upper storeys broken by tiny balconies, you feel intensely the gentle
irregularity and the mass of mellow colour. The one and the other is
never seen in Australia, with our new shining-painted angularities of
hardwood and bright nails and eaves and gables and sharp-sloping roofs.
A gentle irregularity, in a street where boards thrust out and planks
give way and vulgarly project themselves, where neither roofs nor
fronts are flat, is unknown in our country.
Public-domain text, read in full here on John Shaqi.
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