Then, standing once more in the centre of the circle, he burst into a
frantic incantation, while the musicians redoubled their efforts, and
the old maniac in the corner gave forth his chuckling cry with greater
force, and swayed his trembling body more vehemently to and fro. The
snake, suddenly brought from the darkness of the kennel to the light of
day, was torpid and weary. It drooped between the charmer's hands. He
shook it, called on it, caught up a stick and struck it. Then, forcing
its mouth wide open, he barred its pink throat with the stick, on which
he made it fix its two fangs, which were like two sharp hooks. Holding
the end of the stick, he came again to Claire, to whom his whole
performance was now exclusively devoted; and, approaching the hanging
reptile close to her eyes, he jumped it up and down to the sound of the
drum and pipe.
"You see," Claire said to Renfrew, "the roof of its mouth is
flesh-colour."
He did not answer. Why did all this mean so much to him? Why did the
clouds grow darker? The music and the cries of the old maniac perturbed
him and bewildered his brain. And he wanted to be calm, and to watch
Claire and this savage with a cool and undivided attention. By this
time the snake was growing irritated. It agitated its long body
furiously; and when the charmer unhooked its fangs from the stick, it
turned its head towards him and made a sudden dart at his face. He
opened his mouth wide, thrust the snake into it, and let the creature
fasten on his tongue, from which blood began to flow. Still bleeding,
and with the snake fixed on his tongue, he danced and sprang into the
air. His eyes grew wild. Foam ran from his mouth, and his whole
appearance became demoniacal. Yet his eyes still fastened themselves
upon Claire. In his most frantic moments his attention was never
entirely distracted from the spot where she was standing. He tore the
snake from his tongue and buried its fangs in the flesh of his left
wrist. Cries broke from the crowd. The sight of the blood had excited
them, for these people love blood as the toper loves wine. They urged
the charmer on to fresh exertions with furious screams of encouragement.
The maniac bent his body like a dervish in the last exercises of his
religion, and the ragged musicians forced a more extreme uproar from
their instruments. The charmer caught the snake by the tail, and strove
to pull it backwards off his wrist. But the reptile's fangs were firmly
fastened. It held on with a terrible tenacity, and a struggle ensued
between it and its master. When at length it gave way, it was streaked
with blood, and now at last thoroughly aroused. The charmer scraped his
tongue with a straw; then, casting himself again upon the earth, he
prayed once more with fury to Sidi Mahomet. Claire watched him always,
with that pale and exquisite attention which one genius gives to the
performance of another. Her face was white and still. Her body never
moved.
Public-domain text, read in full here on John Shaqi.
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