keenly, that he had waited upon her moods with an almost trembling awe.
Now, in asking pardon, he would show that in his passion he could be
strong. Women want to see the man in the lover, as well as the devotee.
Renfrew, in acknowledging his jealousy of a black savage, meant to clasp
Claire with the arms of a whirlwind.
Meanwhile she was hidden from him. The wind blew strongly. The sparks
leaped away in clouds toward the sea. From the dense darkness behind him
came a sound of music. The soldiers were feasting. The porters were
striking the lute, and singing songs of the dance and of love and of
victory. It was a night of comradeship and of rejoicing. Yet he stood
alone; and the turmoil of his heart was unheeded. He tried to explore
the blackness of the night which stood round the golden fire with his
eyes. Claire must be in that blackness close to him. Doubtless she saw
him, a red and yellow creature, painted into fictitious brilliance by
the illumination which was shed upon him. She saw him and kept from
him. Renfrew resolved to be patient. When her mood of reserve died she
would come to him, in her dress of a Moor, and he would kiss the white
face beneath the hood, and put his arms round the thin figure that was
lost in the djelabe of brawny Absalem, and tell her the true story of
his heart, never fully told to her yet. He squatted down before the
fire, lit his pipe, shrugged his shoulders against the tempest from the
mountains, and waited, listening to the weird music that swept by him
like a hidden bird on the wind.
Public-domain text, read in full here on John Shaqi.
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