It has been repeatedly reasoned that novelists should be permitted a
certain licence, and in actual fiction this may possibly be; but if
the subject and characters chosen are both historical, misconceptions
may easily arise, and erroneous statements be indelibly impressed upon
the mind of the reader. Let us recall to our memories the outline of
Kenilworth, and then notice some of Scott's most glaring historical
inaccuracies and anachronisms, and while I have no intention of
attempting a defence for Robert Dudley and his followers, for the crime
here alleged to have been committed, I believe I shall be able to show
that he was, in this instance at any rate, greatly maligned.
The plot in brief is as follows:--Robert Dudley, Earl of Leicester,
son of the Duke of Northumberland, who had been executed for
endeavouring to place Lady Jane Grey upon the throne, having secretly
married Amy Robsart, desires to be free, and confides his wishes to
his retainers, Richard Varney and Anthony Forster. The Countess, who
was living in retirement at Cumnor Place, hearing of the festivities
given by her husband at Kenilworth, goes secretly there, and has a most
affecting interview with Queen Elizabeth, in the course of which the
Queen bitterly reproaches Leicester. At length, by specious promises,
he prevails upon Amy to return to Cumnor, arranging to come to her as
soon as liberated from his attendance upon the Queen. She complies,
and is assigned by Forster a portion of the building approached only
by a drawbridge in which is concealed a trap-door. At night Varney,
riding hastily into the courtyard, gives the Earl's private signal--a
peculiar whistle--on hearing which Amy rushes out to meet her husband;
but Forster having meanwhile withdrawn the bolts, she falls through the
trap. "A faint groan and all is over." Immediate punishment overtakes
the criminals. Varney is arrested, but poisons himself in his cell,
while Forster, in his hasty endeavour to escape, closes behind him a
secret door, and dies a lingering death.
Public-domain text, read in full here on John Shaqi.
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