In certain districts several Celtic crosses have been suffered to survive,
or have been brought forth from the concealment into which the neglect, or
the violence, of past ages had thrown them; and they present perhaps the
most valuable examples of runic inscriptions and of contemporary carving
which we now have in Great Britain. Some of them are quadrilateral slabs
on which the sacred symbol is cut, others are carved into the shape of a
cross; most of them have a large amount of characteristic adornment. There
are men riding and hunting, animals conventional, if not actually
grotesque, interlaced chain designs, and intricate and often very graceful
scrolls. Among other figures cut on these ancient monuments we find
constantly repeated some of those Pictish symbols, the meaning of which is
one of the apparently insoluble problems of archaeology. The twin circles
connected by three lines like a Z, or included within the arms of it, the
crescent crossed by two lines forming a V, a grotesque somewhat distantly
resembling an elephant; these and other forms constantly meet us. They are
characteristic of the carving of a time not more than eight or nine
centuries from our own, yet the very alphabet of the symbolic language
which they speak is lost. They have been described as the work of Cymric
Christians, as Gnostic, as magical, as derived from oriental Paganism, as
learned from Scandinavian heathenism; but even if we could agree as to
their origin, we should yet be in the dark as to their meaning. In
Wigtonshire are several crosses, including some of this type: we find them
at Kirkcolm, Kirkmadrine, Whithorn, Monreith, and St. Ninian's cave. At
Kirkcolm is an exceedingly rudely carved crucifix; beneath the figure of
the Crucified is another human figure accompanied by two creatures meant
apparently for birds; the whole being of the roughest description. The
Monreith Cross stands seven and a quarter feet in height, and has a wheel
head, with a shaft whose sides curve slightly outwards from top and
bottom; an ingeniously contrived scroll covers the face. The Kirkmadrine
example has incised upon it the sacred monogram XP conjoined, and arranged
crosswise within a circle.
In Kirkcudbright is the splendid Ruthwell Cross, standing over seventeen
feet in height. The shaft tapers gracefully towards the head, and has
within panels upon it the effigies of several saints; the sides have a
singularly fine scroll of conventional foliage with birds; and the head is
light and elegant. It is altogether a very beautiful structure.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account