John Knox was burnt in effigy at the Cross in 1555, when he failed to
return from Geneva in answer to a summons from the bishops; and ten years
later a Roman Catholic Priest was "tyed to the Cross" and pelted because
he had dared to say Mass on Easter Day. The Earl of Morton was beheaded
here in 1581. Under James the Seventh of Scotland and Second of England
many a powerful head fell on the scaffold beneath the shadow of the Cross.
Those were stormy times in which religion and politics were curiously and
unhappily mingled, so that those who to one side seemed mere rebels, to
the other appeared as martyrs. Among others who suffered was the Earl of
Argyle, together with many of his clan who had been led by him to open
revolt.
Edinburgh had another Cross, known as St John's, situated in the
Canongate; it was similar in design to the High Cross, but smaller.
The Crosses of the Metropolis seem to have been taken as models by other
Scottish burghs. Their plan was quite unlike any existing examples in
England. The base or pedestal was an elevated platform, supported either
by open arches, or by solid walls; on the top of this, the tall shaft of
the cross was placed, and latterly it was crowned by a unicorn holding
the Scottish shield. Steps, within the base, led to the platform from
which proclamations and official notices were published by the city
heralds. Judging from the analogy of the Market Crosses in the southern
kingdom, it seems probable that the base was originally intended to be
open, so as to afford shade or shelter, as the weather might require, to
some at least of the market folk. Many English Crosses, the best known
example of all, for instance, that of Chichester, provide accommodation of
this sort, but none of them have a flat roof serving as a platform.
Subsequently, as the business of the country grew, this shelter would
prove so inadequate as not to be worth considering; and then the lower
structure was in some cases built in, so as to protect the access to the
platform, reserved now for formal and official purposes only.
Public-domain text, read in full here on John Shaqi.
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