Bygones Worth Remembering, Vol. 1 (of 2)Holyoake, George Jacob
Philosophy
Bygones Worth Remembering, Vol. 1 (of 2)
Holyoake, George Jacob
Holyoake, George Jacob, 1817-1906; Social reformers -- Great Britain -- Biography; Working class -- Great Britain -- Biography
Surely environment is the sister of heredity? Mr. Gladstone once said to
me that "The longer he lived the more he thought of heredity." Next to
heredity is environment--the moulder of mankind. My first passion was to
be a prize-fighter. Nature, however, had not made me that way. I had
no animosity of mind, and that form of contest was not to my taste. But
prize-fighting was part of the miasma the Napoleonic war had diffused in
England. It was in the air; it was the talk of the street "Hammer" Lane,
so called from the iron blow he could deliver, was the local hero of the
Ring in the Midlands in my youth. He was a courtier of my eldest sister,
and created in me a craving for fistic prowess. I fought one small
battle, but found that a lame wrist, which has remained permanent, cut
me off from any prospect of renown in that pursuit Next, to be a circus
jester seemed to me the very king of careers. My idea was to leap into
the arena exclaiming:--
"Well, I never! Did you ever? I never did."
"Never did what?" the clown was to ask me, when my reply was to be:--
"I could only disclose that before a Royal Commission"--alluding to a
political artifice then coming into vogue in Parliament When a Minister
did not know what to say to a popular demand, or found it inconvenient
to say it if he did know, he would suggest a Commission to inquire into
it, as is done to this day.
Then the clown would demand, "What is the good of a Royal Commission?"
when the answer would be: "Every good in the world to a Ministry, for
before the Commission agreed as to the answer to be given, the public
would forget what the question was." Under this diversion of the
audience, no one noticed that no answer was given to the original
question put to the jester. Whether I could have succeeded in this
walk was never decided. It was found that I lacked the loud, radiant,
explosive voice necessary for circus effects, and I ceased to dream of
distinction there.
I suppose, like many others who could not well write anything, I thought
poetry might be my latent--very latent--faculty. So I began. For all I
knew, my genius, if I had any, might lie that way. To "body forth things
unknown," which I was told poets did, must be delightful. To "build
castles in the air"--as my means did not enable me to pay ground
rent--was at least an economical project. So I began with a question, as
new Members of Parliament do, until they discover something to say. My
first production, which I hoped would be mistaken for a poem, was in the
form of a "Question to a Pedestrian":--
"Saw you my Lilian pass this way?
You would know her by the ray
Of light which doth attend her.
Her eye such fire of passion hath,
That none who meet her ever pass,
But they some message send her."
Public-domain text, read in full here on John Shaqi.
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