When Shelley left Ravenna in August, 1821, he understood that Byron had determined that Allegra should not be left behind, alone and friendless, in the Convent of Bagnacavallo, and Shelley hoped that an arrangement would be made by which Claire might have the happiness of seeing her child once more. When Byron arrived at Pisa in November, and Allegra was not with him, Claire Clairmont's anxiety was so great that she wrote twice to Byron, protesting against leaving her child in so unhealthy a place, and entreated him to place Allegra with some respectable family in Pisa, or Florance, or Lucca. She promised not to go near the child, if such was his wish, nor should Mary or Shelley do so without Byron's consent. Byron, it appears, took no notice of these letters. The Shelleys, while strongly of opinion that Allegra should in some way be taken out of Byron's hands, thought it prudent to temporize and watch for a favourable opportunity. Claire held wild schemes for carrying off the child, schemes which were under the circumstances impolitic, even if practicable. Both Mary and Shelley did their utmost to dissuade Claire from any violent attempts, and Mary, in a letter written at this time, assures Claire that her anxiety for Allegra's health was to a great degree unfounded. After carefully considering the affair she had come to the conclusion that Allegra was well taken care of by the nuns in the convent, that she was in good health, and would in all probability continue so. On April 15 Claire Clairmont arrived at Pisa on a visit to the Shelleys, and a few days later started with the Williamses for Spezzia, to search for houses on the bay. Professor Dowden says:[5] 'They cannot have been many hours on their journey, when Shelley and Mary received tidings of sorrowful import, which Mary chronicles in her journal with the words "Evil news." Allegra was dead. Typhus fever had raged in the Romagna, but no one wrote to inform her parents with the fact.' Lord Byron felt the loss bitterly at first. 'His conduct towards this child,' says Countess Guiccioli, 'was always that of a fond father. He was dreadfully agitated by the first intelligence of her illness; and when afterwards that of her death arrived, I was obliged to fulfil the melancholy task of communicating it to him. The memory of that frightful moment is stamped indelibly on my mind. A mortal paleness spread itself over his face, his strength failed him, and he sank into a seat. His look was fixed, and the expression such that I began to fear for his reason; he did not shed a tear; and his countenance manifested so hopeless, so profound, so sublime a sorrow, that at the moment he appeared a being of a nature superior to humanity. He remained immovable in the same attitude for an hour, and no consolation which I endeavoured to afford him seemed to reach his ears, far less his heart.'