'I am not come here in search of adventures,' said Byron, 'but to assist the regeneration of a nation, whose very debasement makes it more honourable to become their friend. Regular troops are certainly necessary, but not in great numbers: regular troops alone would not succeed in a country like Greece; and irregular troops alone are only just better than nothing. Only let the loan be raised; and in the meantime let us try to form a strong national Government, ready to apply our pecuniary resources, when they arrive, to the organization of troops, the establishment of internal civilization, and the preparations for acting defensively now, and on the offensive next winter. Nothing is so insupportable to me as all these minute details and these repeated delays. But patience is indispensable, and that I find the most difficult of all attainments.' It was Byron's custom to spend his evenings in Colonel Stanhope's room, with his English comrades. Sometimes the Germans would join the party, play on their flutes, and sing their national airs to the accompaniment of a guitar. Byron was fond of music in general, and was especially partial to German music, particularly to their national songs. Millingen tells us that in the evening all the English who had not, with Colonel Stanhope, turned Odysseans assembled at Byron's house, and enjoyed the charm of his conversation till late at night. Byron's character, says Millingen, 'differed so much from what I had been induced to imagine from the relations of travellers, that either their reports must have been inaccurate, or his character must have totally changed after his departure from Genoa. It would be difficult, indeed impossible, to convey an idea of the pleasure his conversation afforded. Among his works, that which may perhaps be more particularly regarded as exhibiting the mirror of his conversation, and the spirit which animated it, is "Don Juan." He was indeed too open, and too indiscreet in respect to the reminiscences of his early days. Sometimes, when his vein of humour flowed more copiously than usual, he would play tricks on individuals. Fletcher's boundless credulity afforded him an ever-ready fund of amusement, and he one evening planned a farce, which was as well executed and as laughable as any ever exhibited on the stage. Having observed how nervous Parry had been, a few days before, during an earthquake, he felt desirous of renewing the ludicrous sight which the fat, horror-struck figure of the Major had exhibited on that occasion. He placed, therefore, fifty of his Suliotes in the room above that where Parry slept, and towards midnight ordered them to shake the house, so as to imitate that phenomenon. He himself at the same time banged the doors, and rushed downstairs, delighted to see the almost distracted Major imploring