Christian antiquities -- Great Britain; Folklore -- Great Britain; Great Britain -- Antiquities
picture calls forth a sudden exclamation of pleasure. A second and more
critical glance reveals the chief features of the tower. Its height, 65
feet, is especially noticeable. Like other towers which we have met, it
tapers a little, and it is crowned with a battlement. Each of its five
stories was evidently devoted to a particular use. Freeman has noted
them: a ringers’ chamber below, followed by stories which had windows
looking towards the North and East, then a room fitted up as a dovecot,
and lastly the belfry itself[291]. The date of the Gumfreston tower is
fixed approximately at A.D. 1300. Of the Pembrokeshire series as a
whole, Freeman says that they were all built within “castle times,” and
that they belong to “all manner of centuries from the first to the last
Harry[292].” He further considers that he could discern preparations for
habitation in “some of the vaulted apartments.” The simple character of
the Pembroke towers formerly led many writers to assign them to a
pre-Norman period, but this opinion is now discredited. On the other
hand, the evidence shows that they are not, as a class, late Tudor
buildings, as extremists in the contrary direction have suggested.
A subtle objection is made that the towers may be simply imitations of
castellated architecture, and that the resemblance, being incidental and
unintentional, has no recondite significance. There is some degree of
force in the contention, because there must have been interaction of
influence. Thus, not only in semi-secular buildings, like the abbot’s
barn of Bradford-on-Avon (Figs. 43, 44, pp. 171, 173 _infra_), but also
in castles and fortified mansions, like that of Nunney (Fig. 27), do we
meet with architectural features which are usually associated with
religious structures. Such details, as a rule, are best seen in doors
and windows, and they are in harmony with the Gothic styles of their
respective periods. Side by side with these ornamental features,
primitive arrangements for defence are retained, even in the Tudor
country mansions. In spite of this cross-influence it may be observed
that the defensive steeples occur just in those places where defence
[Illustration:
FIG. 27. Portion of Nunney Castle, Somerset, a fortified
manor-house, built A.D. 1373-1400. The corner towers probably
served as peles. In the windows (Decorated style) and in other
details, there is evidence of the relationship between religious
and secular architecture.
]
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