"Sound travels far in the desert, but the silence now was absolute, and
although I listened attentively, I could not detect the slightest
noise--man, beast, and insect were abnormally still. There was something
in the air, too, that struck me as unusual; an odd, clammy coldness that
reminded me at once of the catacombs in Paris. I had hardly, however,
conceived the resemblance, when a sob--low, gentle, but very
distinct--sent a thrill of terror through me. It was ridiculous, absurd!
It could not be, and I fought against the idea as to whence the sound
had proceeded, as something too utterly fantastic, too utterly
impossible! I tried to occupy my mind with other thoughts--the
frivolities of Cairo, the casinos of Nice; but all to no purpose; and
soon on my eager, throbbing ear there again fell that sound, that low
and gentle sob. My hair stood on end; this time there was no doubt, no
possible manner of doubt--the mummy lived! I looked at it aghast. I
strained my vision to detect any movement in its limbs, but none was
perceptible. Yet the noise had come from it, it had breathed--breathed--
and even as I hissed the word unconsciously through my clenched lips,
the bosom of the mummy rose and fell.
"A frightful terror seized me. I tried to shriek to my servants; I could
not ejaculate a syllable. I tried to close my eyelids, but they were
held open as in a vice. Again there came a sob that was immediately
succeeded by a sigh; and a tremor ran through the figure from head to
foot. One of its hands then began to move, the fingers clutched the air
convulsively, then grew rigid, then curled slowly into the palms, then
suddenly straightened. The bandages concealing them from view then fell
off, and to my agonised sight were disclosed objects that struck me as
strangely familiar. There is something about fingers, a marked
individuality, I never forget. No two persons' hands are alike. And in
these fingers, in their excessive whiteness, round knuckles, and blue
veins, in their tapering formation and perfect filbert nails, I read a
likeness whose prototype, struggle how I would, I could not recall.
Gradually the hand moved upwards, and, reaching the throat, the fingers
set to work, at once, to remove the wrappings. My terror was now
sublime! I dare not imagine, I dare not for one instant think, what I
should see! And there was no getting away from it; I could not stir an
inch, not the fraction of an inch, and the ghastly revelation would take
place within a yard of my face.
"One by one the bandages came off. A glimmer of skin, pallid as marble;
the beginning of the nose, the whole nose; the upper lip, exquisitely,
delicately cut; the teeth, white and even on the whole, but here and
there a shining gold filling; the under-lip, soft and gentle; a mouth I
knew, but--God!--where? In my dreams, in the wild fantasies that had
oft-times visited my pillow at night--in delirium, in reality, where?
Mon Dieu! WHERE?
Public-domain text, read in full here on John Shaqi.
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