Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
To the renovation of the church Theodore Metochites devoted himself
heart and soul, and spent money for that object on a lavish scale. As
the central portion of the building was comparatively well
preserved,[529] it was to the outer part of the edifice that he
directed his chief attention--the two narthexes and the parecclesion.
These were to a large extent rebuilt and decorated with the marbles and
mosaics, which after six centuries, and notwithstanding the neglect and
injuries they have suffered during the greater part of that period,
still excite the admiration they awakened when fresh from the artist's
hand.
The connection of Theodore Metochites with this splendid work is
immortalised not only by historians of his day and by himself,[530] but
also by the mosaic which surmounts the main entrance to the church from
the inner narthex. There the restorer of the building, arrayed in his
official robes, and on bended knees, holds a model of the church in his
hands and offers it to the Saviour seated on a throne. Beside the
kneeling figure is the legend, [Greek: ho ktêtôr logothetês tou gennikou
Theodôros ho Metochitês], 'The builder, Logothetes of the Treasury,
Theodore the Metochites' (Plate XCI.).
The restoration of the church must have been completed before the year
1321, for in that year Nicephorus Gregoras[531] describes it as then
recently ([Greek: arti]) renovated, and in use for the celebration of
divine service. How long before 1321 the work of repair precisely
commenced cannot be determined, but it was in process as early as 1303,
for that date is inscribed in Arabic numerals on the mosaic depicting
the miracle at Cana, which stands to the right of the figure of Christ
over the door leading from the outer to the inner narthex. But to have
reached the stage at which mosaics could be applied the work of
restoration must have been commenced sometime before 1303.
[Illustration: PLATE LXXXIV.
S. SAVIOUR IN THE CHORA. CAPITAL IN THE OUTER NARTHEX.]
[Illustration: S. SAVIOUR IN THE CHORA. CAPITAL IN THE OUTER NARTHEX.
_To face page 300._]
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