Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
II. The Melon type.--This is seen on the columns of the lower order in
SS. Sergius and Bacchus and on the columns of the narthex of S.
Theodore, where they have been taken from an older building. The melon
capital was probably not in use after the sixth century.
III. The Bowl capital.--This type is used in the great order of S.
Sophia at Constantinople. It has been thought peculiar to this church,
but the capitals from S. Stephen at Triglia in Bithynia resemble those
of S. Sophia closely. Only the peculiar volutes of the S. Sophia
capitals are absent.[34]
IV. The Byzantine or 'Pseudo-Ionic.'--This is found in the upper order
of SS. Sergius and Bacchus, and in the narthex of S. Andrew. It is an
early type, not used after the sixth century, and its occurrence in S.
Andrew favours the early date assigned to that church.
V. The Bird and Basket.--Found in Constantinople, only in S. Sophia.
VI. The Byzantine Corinthian.--This is the commonest form of capital in
the later churches, and must have been in continuous use from the
earliest date. It occurs in S. John of the Studion, the Diaconissa, the
Chora, and in many other churches. Here the classic form is accurately
adhered to, but, as the curved abacus was unsuitable to the arch, a
large splayed abacus or impost block is placed above the capital. It is
a general feature of the Byzantine capital that it projects at no point
beyond the impost line of the arch, thus differing both from the classic
and the Gothic forms.
VII. The Windblown Acanthus.--This is found in the churches of Salonica
and Ravenna. Three examples are mentioned as seen in Constantinople, two
near the Diaconissa, forming bases for the posts of a wooden porch to a
house; one is the cistern commonly known as the cistern of Pulcheria.
_Window Capitals._--In shafted window of several lights, the impost
piers between the arches are of the full thickness of the wall, but are
very narrow from side to side. Similarly the shafts are almost slabs
placed across the wall, and sometimes, as in the Pammakaristos, are
carved on their narrow faces. The capitals are cubical, of slight
projection at the sides, but spreading widely at the ends, while the
bases closely resemble capitals turned upside down. As with columns, the
joints at base and necking are bedded in sheet lead.
_Floors._--The floors are usually of thick red brick tiles, some .31 cm.
square, or, as in S. Theodore, hexagonal, .34 cm. across by 45 cm. from
point to point. Marble floors were used when possible, inlaid with
patterns, or in slabs surrounded by borders of coloured marbles, as is
still seen in a portion of the floor in the Pantokrator (Fig. 76).
Public-domain text, read in full here on John Shaqi.
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