Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
Several emperors sought the shelter of the Studion as a refuge from
danger, or as a retreat from the vanity of the world. Thither, in 1041,
Michael V. and his uncle Constantine fled from the popular fury excited
by their deposition of the Empress Zoe and the slaughter of three
thousand persons in the defence of the palace. The two fugitives made
for the monastery by boat, and betook themselves to the church for
sanctuary. But as soon as the place of their concealment became known,
an angry crowd forced a way into the building to wreak vengeance upon
them, and created a scene of which Psellus has left us a graphic
account. Upon hearing the news of what was going on, he and an officer
of the imperial guard mounted horse and galloped to the Studion. A
fierce mob was madly attempting to pull down the structure, and it was
with the utmost difficulty that the two friends managed to enter the
church and make their way to the altar. The building seemed full of wild
animals, glaring with eyes on fire at their victims, and making the air
resound with the most terrible cries. Michael was on his knees clasping
the holy table; Constantine stood on the right; both were dressed like
monks, and their features were so transformed by terror as to be almost
beyond recognition. The spectacle of greatness thus brought low was so
pathetic that Psellus burst into tears and sobbed aloud. But the crowd
only grew more fierce, and drew nearer and nearer to the fugitives as
though to rend them in pieces. Only a superstitious dread restrained it
from laying hands upon them in a shrine so sacred and venerated. The
uproar lasted for hours, the mob content meanwhile with striking terror
and making flight impossible. At length, late in the afternoon, the
prefect of the city appeared upon the scene, accompanied by soldiers and
followed by large crowds of citizens. He came with instructions to bring
Michael and Constantine out of the church. In vain did he try the effect
of mild words and promises of a gentle fate. The fallen emperor and his
uncle clung to the altar more desperately. The prefect then gave orders
that the two wretched men should be dragged forth by main force. They
gripped the altar yet more tightly, and in piteous tones invoked the aid
of all the eikons in the building. The scene became so heartrending that
most of the spectators interfered on behalf of the victims of
misfortune, and only by giving solemn assurance that they would not be
put to death was the prefect allowed to proceed to their arrest. Michael
and Constantine were then dragged by the feet as far as the Sigma, above
S. Mary Peribleptos (Soulou Monastir), and after having their eyes burnt
out were banished to different monasteries, to muse on the vanity of
human greatness and repent of their misdeeds.[67]
Public-domain text, read in full here on John Shaqi.
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