Byzantine Churches in Constantinople: Their History and ArchitectureVan Millingen, Alexander
Philosophy
Byzantine Churches in Constantinople: Their History and Architecture
Van Millingen, Alexander
Architecture, Byzantine; Church architecture -- Turkey -- Istanbul; Church buildings -- Turkey -- Istanbul
Upon these arches is raised what has been called an elliptical dome. But
in no part has it the character of a true ellipse, nor does it spring
from its supporting arches in the simple regular manner of a dome, but
in the complex manner of a vault built upon arches of unequal curvature.
It should therefore rather be called a domical vault. Where it shows
above the roof it has the appearance of a modified and very low cone
covering an irregular elliptical drum.
The eastern bay of the nave is square on plan, bounded by semicircular
arches, all extended so as to form short barrel vaults. The western arch
is joined to the eastern arch of the western bay, thus forming a short
barrel vault common to both bays. The vault to the east runs to the
semi-dome of the apse; whilst the vaults to north and south, like the
corresponding vaults in the western bay, extend to the outer walls and
cover the eastern portions of the aisles and galleries. Above the
supporting arches regular pendentives are formed, and above these there
is a drum carrying a dome. The apse to the east of the nave is
semicircular within and covered by a semi-dome.
Between that semi-dome and the eastern barrel vault of the nave a break
is interposed, giving the bema arch two orders or faces, with their
external and internal angles rounded off, and the whole surface of the
semi-dome and of the bema arch is covered with mosaic. At one time the
mosaic extended also over the surface of the barrel vault. The
decoration in the semi-dome consists of a large cross in black outline
upon a gold ground; below the cross there are three steps set upon a
double band of green that runs round the base of the semi-dome. A
geometrical border bounds the semi-dome, and then comes the following
inscription, an extract from Psalm lxv. verses 5, 6 (the lxiv. in the
Septuagint version), on the inner face of the arch:
[Greek: (DEUT EI)SOMETHA EN TOIS AGATHOIS TOU OIKOU SOU,
HAGIOS O NAOS SOU THAUMASTOS EN DIKAIOSYNÊ EPAKOUSON
HÊMÔN O TH[EO]S O S[ÔT]ÊR HÊMÔN HÊ ELPIS
PANTÔN TÔN PERATÔN TÊS GÊS KAI TÔN EN THALASSÊ
MAK(RA)[N]].
(Come we will go?) in the good things of thy house. Holy is
thy temple. Thou art wonderful in righteousness. Hear us, O God
our Saviour; the hope of all the ends of the earth and of them
who are afar off upon the sea.
The letters enclosed within curved brackets and the accents[141] above
them are paint only; the letters within square brackets are not in the
inscription, but are supplied where evident contractions render that
course necessary. The remaining letters are in unrestored mosaic.
Probably [Greek:(Deut ei) sometha] is a mistake of the restorer for the
word [Greek: plêsthêsometha] in the original text. 'We shall be filled
with the goodness (or the good things) of thy house.'
Three other geometrical patterns in mosaic succeed, after which follows
a broad wreath of foliage on the outer face of the bema arch and the
words:
Public-domain text, read in full here on John Shaqi.
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