Antonius, Marcus, 83 B.C.?-30 B.C. -- Drama; Caesar, Julius -- Drama; Cleopatra, Queen of Egypt, -30 B.C. -- Drama
_His subalterns are mostly handsome young fellows whose interest in
the game and the story symbolizes with tolerable completeness the main
interests in life of which they are conscious. Their spears are
leaning against the walls, or lying on the ground ready to their
hands. The corner of the courtyard forms a triangle of which one side
is the front of the palace, with a doorway, the other a wall with a
gateway. The storytellers are on the palace side: the gamblers, on the
gateway side. Close to the gateway, against the wall, is a stone block
high enough to enable a Nubian sentinel, standing on it, to look over
the wall. The yard is lighted by a torch stuck in the wall. As the
laughter from the group round the storyteller dies away, the kneeling
Persian, winning the throw, snatches up the stake from the ground._
BELZANOR. By Apis, Persian, thy gods are good to thee.
THE PERSIAN. Try yet again, O captain. Double or quits!
BELZANOR. No more. I am not in the vein.
THE SENTINEL (_poising his javelin as he peers over the wall_). Stand.
Who goes there?
_They all start, listening. A strange voice replies from without._
VOICE. The bearer of evil tidings.
BELZANOR (_calling to the sentry_). Pass him.
THE SENTINEL (_grounding his javelin_). Draw near, O bearer of evil
tidings.
BELZANOR (_pocketing the dice and picking up his spear_). Let us
receive this man with honor. He bears evil tidings.
_The guardsmen seize their spears and gather about the gate, leaving a
way through for the new comer._
PERSIAN (_rising from his knee_). Are evil tidings, then, honorable?
BELZANOR. O barbarous Persian, hear my instruction. In Egypt the
bearer of good tidings is sacrificed to the gods as a thank offering;
but no god will accept the blood of the messenger of evil. When we
have good tidings, we are careful to send them in the mouth of the
cheapest slave we can find. Evil tidings are borne by young noblemen
who desire to bring themselves into notice. (_They join the rest at
the gate._)
THE SENTINEL. Pass, O young captain; and bow the head in the House of
the Queen.
VOICE. Go anoint thy javelin with fat of swine, O Blackamoor; for
before morning the Romans will make thee eat it to the very butt.
_The owner of the voice, a fairhaired dandy, dressed in a different
fashion to that affected by the guardsmen, but no less extravagantly,
comes through the gateway laughing. He is somewhat battlestained; and
his left forearm, bandaged, comes through a torn sleeve. In his right
hand he carries a Roman sword in its sheath. He swaggers down the
courtyard, the Persian on his right, Belzanor on his left, and the
guardsmen crowding down behind him._
BELZANOR. Who art thou that laughest in the House of Cleopatra the
Queen, and in the teeth of Belzanor, the captain of her guard?
THE NEW COMER. I am Bel Affris, descended from the gods.
BELZANOR (_ceremoniously_). Hail, cousin!
ALL (_except the Persian_). Hail, cousin!
Public-domain text, read in full here on John Shaqi.
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