Antonius, Marcus, 83 B.C.?-30 B.C. -- Drama; Caesar, Julius -- Drama; Cleopatra, Queen of Egypt, -30 B.C. -- Drama
FTATATEETA (_contemptuously_). Who shall stay the sword in the hand of
a fool, if the high gods put it there? Listen to me, ye young men
without understanding. Cleopatra fears me; but she fears the Romans
more. There is but one power greater in her eyes than the wrath of the
Queen's nurse and the cruelty of Caesar; and that is the power of the
Sphinx that sits in the desert watching the way to the sea. What she
would have it know, she tells into the ears of the sacred cats; and on
her birthday she sacrifices to it and decks it with poppies. Go ye
therefore into the desert and seek Cleopatra in the shadow of the
Sphinx; and on your heads see to it that no harm comes to her.
BEL AFFRIS (_to the Persian_). May we believe this, O subtle one?
PERSIAN. Which way come the Romans?
BEL AFFRIS. Over the desert, from the sea, by this very Sphinx.
PERSIAN (_to Ftatateeta_). O mother of guile! O aspic's tongue! You
have made up this tale so that we two may go into the desert and
perish on the spears of the Romans. (_Lifting his knife_) Taste death.
FTATATEETA. Not from thee, baby. (_She snatches his ankle from under
him and flies stooping along the palace wall, vanishing in the
darkness within its precinct. Bel Affris roars with laughter as the
Persian tumbles. The guardsmen rush out of the palace with Belzanor
and a mob of fugitives, mostly carrying bundles._)
PERSIAN. Have you found Cleopatra?
BELZANOR. She is gone. We have searched every corner.
THE NUBIAN SENTINEL (_appearing at the door of the palace_). Woe!
Alas! Fly, fly!
BELZANOR. What is the matter now?
THE NUBIAN SENTINEL. The sacred white cat has been stolen.
ALL. Woe! Woe!
(_General panic. They all fly with cries of consternation. The torch
is thrown down and extinguished in the rush. Darkness. The noise of
the fugitives dies away. Dead silence. Suspense. Then the blackness
and stillness breaks softly into silver mist and strange airs as the
windswept harp of Memnon plays at the dawning of the moon. It rises
full over the desert; and a vast horizon comes into relief, broken by
a huge shape which soon reveals itself in the spreading radiance as a
Sphinx pedestalled on the sands. The light still clears, until the
upraised eyes of the image are distinguished looking straight forward
and upward in infinite fearless vigil, and a mass of color between its
great paws defines itself as a heap of red poppies on which a girl
lies motionless, her silken vest heaving gently and regularly with the
breathing of a dreamless sleeper, and her braided hair glittering in a
shaft of moonlight like a bird's wing._
Public-domain text, read in full here on John Shaqi.
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