Calavar; or, The Knight of The Conquest, A Romance of MexicoBird, Robert Montgomery
History
Calavar; or, The Knight of The Conquest, A Romance of Mexico
Bird, Robert Montgomery
Mexico -- History -- Conquest, 1519-1540 -- Fiction
In pursuance of this resolution, he instituted a long and laborious
comparison of the MS. with the most authentic printed histories; the
result of which was a conviction, (which we beg the reader constantly to
bear in mind,) that, although the good padre had introduced, and upon
authority which his editor could not discover, the characters of certain
worthy cavaliers, of whom he had never heard, the relation, in all other
particulars, corresponded precisely with the narratives of the most
esteemed writers. The events--the great and the minute alike--of the
whole campaign were, in point of fact, identical with those chronicled
by the best authors; and in no way did this history differ from others,
except in the introduction of the above-mentioned forgotten or neglected
cavaliers, such as the knight of Calavar and his faithful esquire, and
in the recital of events strictly personal to them. It is true, the
narrative was more diffuse, perhaps we should say, verbose; but
Cristobal lived in an age of amplification. It was here alone that the
traveller felt himself bound to take liberties with the original; for
though the march of mind and the general augmentation of ideas, have
made prolixity a common characteristic of each man in his own person,
they have not made him more tolerant of it in another. He shaved,
therefore, and he cut, he amputated and he compressed; and he felt the
joy of an editor, when exercising the hydraulic press of the mind.
This will be excused in him. He expunged as much of the philosophy as he
could. The few principles at variance with worldly propensities, which
he left in the book, must be referred to another responsibility.--The
hallucinations of philanthropy are, at the worst, harmless.
For the title adopted in this, the initial chronicle, he confesses
himself answerable. The peculiar appetites of the literary community,
the result of intellectual dyspepsia, require and justify empiricism in
nomenclature. A good name is sugar and sweetmeats to a bad book. If it
should be objected, that he has called the _Historia Verdadera_ a
romance, let it be remembered, that the world likes romance better than
truth, as the booksellers can testify; and that the history of Mexico,
under all aspects but that of fiction, is itself----a romance.
* * * * *
Public-domain text, read in full here on John Shaqi.
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