American fiction -- 20th century; Political fiction; Railroad stories; West (U.S.) -- Fiction
“‘We’?” echoed Caleb. “What d’ye mean? _I’m_ not going to New York with
you.”
“Mr. Conover!” exclaimed Wendell, shaking his inert host by the shoulder
to rouse him from his apparent stupor, “you don’t realize! Gerald is in
a cell on a murder charge. To-morrow he will be sent to the Tombs—our
city prison—to remain until his case comes up. Then he will be tried for
his life and——”
“I know all about the course of such things. You don’t need to tell me.”
“But this is a life-and-death matter!”
“Well, if _I_ can keep cool over it, I presume _you_ can, can’t you?
It’s very kind of you to explain all this to me, but it ain’t necessary.
I understand everything you’ve told me, and I understand a lot you’ve
overlooked. For instance, the pictures that’ll be in all to-morrow’s
evening papers of my boy on his way to the Tombs, handcuffed to a
plain-clothes man, and pictures of that chorus woman of his in all sorts
of poses, and pictures of the ‘stricken father’—that’s me—and Letty
figuring as the ‘aged mother, heart-broke at her son’s crime.’ And my
daughter and her—the Prince d’Antri. And my house and a diagram of the
restaurant where the shooting was done. And there’ll be interviews with
the Montmorency thing and accounts of her being brave and visiting Jerry
in the Tombs. And a maynoo of what he’ll have for Thanksgiving dinner in
his cell. And——”
“I’ll do what I can to prevent publicity. I——”
“You’ll do nothing of the sort. What happens in public the public has a
right to read about. If Jerry’s dragged us into the limelight, can we
kick if the papers let folks see us there?”
“But surely——”
“That’s the easiest part of it. I’ve got to face my wife with this
story. Not to-night, but to-morrow anyhow. Sweet job, eh? A white man
don’t enjoy squashing the life out of even a guinea-pig in cold blood,
let alone a boy’s mother. And reporters’ll begin coming here by sunrise
for interviews, and folks’ll be staring at us in the street and offering
their measly sympathy and then running off to tell the neighbors how we
took it. And every paper we pick up will be full of the ‘latest
d’vel’pments’ and all that. And those of us who know Jerry will get into
the pleasing habit of remembering what a cute, friendly kid he used to
be when he was little, and the great things we used to dream he’d do
when he grew up, and how we hustled so’s he’d have as good a chance in
life as any young feller on earth. And then we’ll remember he’s waiting
in jail to be tried for murdering a chorus slattern’s lover, and all the
black, filthy shame he’s put on decent folks that was fools enough to
love him, and the way he’s fulfilled them silly hopes of ours. Oh, yes,
Wendell, I guess I ‘realize,’ all right, all right. I don’t need no
‘wakening sense.’ But maybe I’ve made it clear to you now why it is I
don’t go cavorting off by the next train to console and cheer up the boy
who’s brought this on us. I don’t just hanker——”
Public-domain text, read in full here on John Shaqi.
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