In the early spring a large war party, accompanied by women, as was sometimes the custom among the Kiowa, started for Texas, along the trail which runs south through the Panhandle, crossing the North Canadian near Kiowa creek and passing on by Fort Elliott. While singing the "travel song" on a southern head stream of Wolf creek the tree tops returned the echo. The phenomenon was a mystery to the Indians, who ascribed it to spirits, but it may have been due to the fact that just south of the camp was a bluff, from which the sound may have been echoed back. The figure over the winter mark is intended to indicate the sound above the tree tops. When a man wishes to gather a small war party he sends around to invite those who may desire to join him. On the night before he intends to start he sits alone in his tipi, having previously bent a long stick, like a hoop, around the fire hole; then he begins the _Gua-dagya_ or travel song, beating time upon the hoop with another stick which he holds in his hand. When those who intend going with him hear the song, they come in one by one and join in it, beating time in the same way with sticks. The women also come in and sit behind the men, joining in the song with them, but without beating time; after some time the leader invites them to come outside, to a buffalo hide, which the men surround and each holds it up with one hand while they beat time upon it with the sticks. The women and those who can not reach the hide stand behind and all sing together. The song is sung at intervals during the march. It has words with meaning and is different from all their other songs; the first singing by the leader is the signal that he intends to start the next day; the pipe was sent around only for a very large war party. [Illustration: FIG. 132--Winter 1862-63--Treetop winter.] A contributor to the Montana Historical Society gives a humorous account of a rawhide dance by a party of packers on Columbia river, in 1858, when the tribes of that region had combined against the whites. The account is of interest as showing that the dance was found from the Columbia to the Rio Grande: