Things more pestiferous than bears are driven out, humours of the
blood, stiffness of the joints, by the medicinal waters that bubble
and seep along certain ancient fissures of the country rock. This has
always seemed to me the very insolence of superfluity. Who wishes, when
all the air is censed with the fragrance of wild vines, to have his
nose assaulted with fumes of sulphur, even though it is known to be
good for a number of things? But there are some people who could never
be got to observe the noble proportions of five-hundred-year-old oaks
with the wild grapes going from tree to tree like a tent, except as a
by-process incident to the drinking of nasty waters. So the land has
its way even with our weaknesses.
[Illustration: SYCAMORES, A COAST RANGE CAÑON]
Besides these excursions inland, which bring us in almost every case to
one of the ancient Franciscan foundations, there are two or three ports
of call on the sea front worth lingering at for more things than the
pleasant air and the radiant wild bloom. One of these is Santa Barbara
which Santa Inez holds in its lap, curving like a scimitar opposite
the most northerly of the channel islands. Understand, however, that
no good comes of thinking of Santa Barbara as a place on the map. It
is a Sargossa of Romance, a haven of last things, the last Mission in
the hands of the Franciscans, the last splendour of the Occupation, the
last place where mantillas were worn and they danced the _fandango_ and
_la jota_; an eddy into which have drifted remnants of every delightful
thing that has passed on the highways of land and sea, which here hail
one another across the curving moon-white beach. Summer has settled
there, California summer which never swelters, never scorches. Frost
descends at times from Santa Inez to the roofs, but lays no finger on
the fuchsias, poinsettias, and the heliotropes climbing to second-story
windows. The wild thickets which connect the territory with the town,
are vocal with night-singing mocking-birds; along the foreshore white
pelicans divide the mountain-shadowed waters. The waters, taking all
the sky's changes, race to the fairy islands, the chaparral runs back
to the flanks of Santa Inez showing yellowly through the distant blue
of pines; overhead a sky clouded with light. This is not a paradox but
an attempt to express the misty luminosity of a heaven filled with
refractions of the summer-tinted slope, the glaucous leafage of the
chaparral, the white sand and sapphire-glinting water. The sky _beyond_
the enclosing mountains has the cambric blueness of the superheated
interior, but directly overhead it has depth and immensity of colour
unequalled except along the Mediterranean.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account