The bay lies squarely fronting the Pacific swell, about a hundred
miles south of the Golden Gate, between the horns of two of the little
tumbled coast ranges, cutting back to receive the waters of the Pajaro
and the Salinas. From the south the hill juts out sharply, taking
the town and the harbour between its knees, but the north shore is
blunted by the mountains of Santa Cruz. The beach is narrow, and all
along its inner curve blown up into dunes contested every season by
the wind and by the quick, bright growth of sand verbena, lupins, and
mesembryanthemums. The waters of the rivers are set back by the tides,
they are choked with bars and sluiced out by winter floods. For miles
back into the valleys of Pajaro and Salinas, blue and yellow lupins
continue the colour of the sand and the pools of tide water. They climb
up the landward slope of the high dunes and set the shore a little
seaward against the diminished surf. Then the equinoctial tide rises
against the land that the lupins have taken and smooths out their
lovely gardens with a swift, white hand, to leave the beach smooth
again for the building of pale, wind-pointed cones.
[Illustration: LOOKING DOWN ON MONTEREY AND THE BAY]
The valley of the Salinas, which has its only natural outlet on the
bay, is of the type of coast valleys, long, narrow and shallow, given
over to farming and to memories of Our Lady of Solitude lying now as
a heap of ruins in a barley field. It is a place set apart, where any
morning you might wake to find the sea has entered between the little,
brooding hills to rest.
Gulls follow the plough there, and pines avoid the river basin as
though each of them knew very well their respective rights in it. One
has, however, to make a point of such discoveries, for the entrance to
the valley is obscured by its very candour, lying all open as it does
to drifting dune and variable sea marshes.
Public-domain text, read in full here on John Shaqi.
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