Engineers -- Fiction; Grain elevators -- Design and construction -- Fiction; Psychological fiction
Then Bannon thought of the rain, but she saw his thought as he glanced
toward the window, and spoke quickly.
"I don't mind--really. Max will let me take his coat."
"Sure," said Max, and he grinned. She slipped into it, and it enveloped
her, hanging in folds and falling on the floor.
"I'll have to hold it up," she said. "Do we have much climbing?"
"No," said Max, "it ain't high. And the stairs are done, you know."
Hilda lifted the coat a little way with both hands, and put out one
small toe. Bannon looked at it, and shook his head. "You'll get your
feet wet," he said.
She looked up and met Bannon's eyes again, with an expression that
puzzled Max.
"I don't care. It's almost time to go home, anyway."
So they went out, and closed the door; and Max, who had been told to
"stay behind and keep house," looked after them, and then at the door,
and an odd expression of slow understanding came into his face. It was
not in what they had said, but there was plainly a new feeling between
them. For the first time in his life, Max felt that another knew Hilda
better than he did. The way Bannon had looked at her, and she at him;
the mutual understanding that left everything unsaid; the something--Max
did not know what it was, but he saw it and felt it, and it disturbed
him.
He sat on the table, and swung his feet, while one expression chased
another over his face. When he finally got himself together, he went to
the door, and opening it, looked out at the black, dim shape of the
elevator that stood big and square, only a little way before him,
shutting out whatever he might else have seen of rushing sky or
dim-lighted river, or of the railroads and the steamboats and the
factories and rolling mills beyond. It was as if this elevator were his
fate, looming before him and shutting out the forward view. In whatever
thoughts he had had of the future, in whatever plans, and they were few,
which he had revolved in his head, there had always been a place for
Hilda. He did not see just what he was to do, just what he was to
become, without her. He stood there for a long time, leaning against the
door-jamb with his hands in his pockets, and the sharper gusts of rain
whirled around the end of the little building and beat on him. And
then--well, it was Charlie Bannon; and Max knew that he was glad it was
no one else.
The narrow windows in the belt gallery had no glass, and the rain came
driving through them into the shadows, each drop catching the white
shine of the electric lights outside. The floor was trampled with mud
and littered with scraps of lumber, tool boxes, empty nail kegs, and
shavings. The long, gloomy gallery was empty when Bannon and Hilda
stepped into it, excepting a group of men at the farther end, installing
the rollers for the belt conveyor--they could be seen indistinctly
against a light in the river house.
The wind came roaring around the building, and the gallery trembled and
shook. Hilda caught her breath and stopped short.
Public-domain text, read in full here on John Shaqi.
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