Engineers -- Fiction; Grain elevators -- Design and construction -- Fiction; Psychological fiction
"It's all right," said Bannon. "She's bound to move some."
"I know--" she laughed--"I wasn't expecting it--it startled me a
little."
"Watch where you step." He took her arm and guided her slowly between
the heaps of rubbish.
At one of the windows she paused, and stood full in the rain, looking
out at the C. & S. C. tracks, with their twinkling red and green lights,
all blurred and seeming far off in the storm.
"Isn't this pretty wet?" he said, standing beside her.
"I don't care." She shook the folds of the rubber coat, and glanced down
at it. "I like it."
They looked out for a long time. Two millwrights came through the
gallery, and glanced at them, but they did not turn. She stepped forward
and let the rain beat on her face--he stood behind, looking at her. A
light showed far down the track, and they heard a faint whistle. "A
train," he said; and she nodded. The headlight grew, and the car lights
appeared behind it, and then the black outline of the engine. There was
a rush and a roar, and it passed under them.
"Doesn't it make you want to jump down?" she said softly, when the roar
had dwindled away.
He nodded with a half-smile.
"Say," he said, a little later, "I don't know about your writing--I
don't believe we'd better--" he got the words out more rapidly--"I'll
tell you what you do--you come along with me and we won't have to
write."
"Come--where?"
"Up to the St. Lawrence. We can start on the third just the same."
She did not answer, and he stopped. Then, after a moment, she slowly
turned, and looked at him.
"Why--" she said--"I don't think I----"
"I've just been thinking about it. I guess I can't do anything else--I
mean I don't want to go anywhere alone. I guess that's pretty plain,
isn't it--what I mean?"
She leaned back against the wall and looked at him; it was as if she
could not take her eyes from his face.
"Perhaps I oughtn't to expect you to say anything now," he went on. "I
just thought if you felt anything like I did, you'd know pretty well, by
this time, whether it was yes or no."
She was still looking at him. He had said it all, and now he waited, his
fists knotted tightly, and a peculiar expression on his face, almost as
if he were smiling, but it came from a part of his nature that had never
before got to the surface. Finally she said:--
"I think we'd better go back."
He did not seem to understand, and she turned away and started off
alone. In a moment he was at her side. He guided her back as they had
come, and neither spoke until they had reached the stairway. Then he
said, in a low tone that the carpenters could not hear:--
"You don't mean that--that you can't do it?"
She shook her head and hurried to the office.
CHAPTER XVI
Public-domain text, read in full here on John Shaqi.
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