France -- Social life and customs -- 19th century -- Fiction
"My good Lirat, do you remember our talks in your studio! I used
to listen to you, and what you told me was so beautiful! Without
suspecting it, perhaps, you awoke noble desires and sublime raptures
in me. You breathed into me a little of the belief, ambition and lofty
flights of your soul. You taught me how to read nature, to understand
her passionate tongue, to feel the emotions latent in things. You
proved to me the existence of immortal beauty. You said to me: 'Love,
why it is in the earthenware pitcher, it is in the verminous rags
which I paint. To take a feeling, a joy, a moment of suffering, of
palpitation, a vision, a shudder--anything, no matter how fugitive an
experience of life it may be--and recreate it, fix it in colors, in
words or sounds, means to love! Love is a man's yearning to create!'
"And I dreamed of becoming a great artist! Ah! my dreams, my delights
in being able to perceive things, my doubts, my sacred agonies, do you
remember them? Look what I have done with all that! I wanted to love
and I went to a woman who kills love. I started with wings, drunk with
the air, with the azure, with light! And now I am nothing but a dirty
hog, sunk in its filth, with greedy snout and sides shaking with impure
rutting. You can see for yourself, Lirat, that I am lost, lost, lost!
... and that I must kill myself."
Then Lirat approached and put both hands on my shoulders:
"You say you are lost! Let us see now; when one is of your stock, can
one say that a man's life is lost? You say you must kill yourself?
Does a man who has typhoid fever say: 'I must kill myself?' He says:
'I must cure myself!' You have typhoid fever, my poor child ... cure
yourself. Lost! Why, there is not a crime, do you hear me, there is not
a crime, no matter how monstrous and vile, that can not be redeemed
by forgiveness. I don't mean God's forgiveness or man's forgiveness,
but one's own forgiveness, which is much more difficult and more worth
while to obtain. Lost! I was listening to you, my dear Mintié, and
do you know what I was thinking? I was thinking that you had the
noblest and most beautiful soul that I ever knew. No, no ... a man who
accuses himself as you do ... who puts into his confession of sin the
heart-rending accents which you have put in yours just now ... why
no--that man is never lost. On the contrary, he finds himself again and
he is near redemption. Love has passed over you and has left all the
more filth in its wake because of your extremely delicate nature. Well!
You must wash this filth off--and I know where the water is that will
wash it off. You are going to leave this place ... leave Paris."
"Lirat!" I entreated, "don't ask me to leave! I have tried it twenty
times and I cannot do it."
"You are going away," repeated Lirat, whose face suddenly darkened. "Or
else I am mistaken about you, and you are a scamp!"
He resumed:
Public-domain text, read in full here on John Shaqi.
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