France -- Social life and customs -- 19th century -- Fiction
The frenzied excitement of my senses was succeeded by a period of great
depression. I spent whole afternoons apathetically, without stirring,
my body lifeless, my limbs hanging, my brains in a state of torpor,
like the morrow of a day of drunkenness. My life resembled a heavy
slumber disturbed by painful dreams, interrupted by sudden awakenings
even more painful than the dreams; and in the annihilation of my will
power, in the blotting out of my intellect, I again felt, but more
keenly than ever, the horror of my moral decay. In addition, Juliette's
life caused me perpetual anguish. As in the past, on the dune of Ploch,
I could not dismiss from my mind the loathsome vision which grew,
intensified and assumed even more cruel forms.... To lose a person whom
you love, a person who has been the source of all your joys, the memory
of whom is associated with happiness only, is a heart-rending sorrow.
But where there is sorrow there is also consolation, and suffering is
eventually put to sleep, lulled in some way by its own tenderness.
But here I was losing Juliette, losing her daily, every hour, every
minute; and with this chain of successive deaths, with this process
of impenitent dying, I could only associate memories of torture and
disgrace.
No matter how eagerly I searched in the stirred-up depths of our two
hearts for a flower bud, for a tiny blossom whose fragrance it would
have been so sweet to inhale, I could not find it. And yet I could
not conceive anything dissociated from Juliette. All my thoughts had
Juliette for their starting point and for their final goal, and the
more she escaped me the more fiercely obdurate I grew in my absurd
desire to win her back. I had no hope at all that she would ever stop,
carried away as she was by this life of evil pleasure; yet, in spite
of myself, in spite of her, I was planning for a better future. I said
to myself: "It is impossible that some day disgust will not seize her,
that some day sorrow will not awaken remorse and pity in her heart.
Then she will return to me. Then we will move into a plain workman's
house and I shall work like a galley-slave. I'll enter journalism, I'll
publish novels, I'll ask for a job as a plain copyist." Alas! I forced
myself to believe all this so as to accentuate the state of misery into
which I had fallen. With the proceeds from the sale of two sketches by
Lirat, of a few jewels I still had, of my books, I had realized a sum
of four thousand francs, which I was saving like a treasure for that
chimeric eventuality.
One day when Juliette was pensive and tenderer than usual, I ventured
to lay my project before her. She clasped her hands.
"Yes! Yes! Ah! Won't that be nice! A little bit of an apartment, a
tiny one. I'll do the housekeeping. I'll have pretty bonnets, a pretty
apron! But with you it'll be impossible! What a pity! It's impossible!"
"Why is it impossible?"
Public-domain text, read in full here on John Shaqi.
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