France -- Social life and customs -- 19th century -- Fiction
Our family lived on the outskirts of the town, opposite a church,
very old and tottering, an ancient and curious structure which was
called the Priory--an annex of an Abbey which was destroyed during the
Revolution and of which were left not more than two or three faces
of a crumbled wall covered with ivy. I recall clearly but without
tenderness the smallest details of the places where my childhood was
spent. I recall the iron gate in a neglected condition which opened
with a creaking sound into a large court adorned by a scurfy grass
plot, two shabby looking sorbs visited by blackbirds, some chestnut
trees, very old and with such large trunks that the arms of four men
could not reach around them--my father used to tell this with pride
to every visitor. I recall the house with its brick walls, grim and
crusty; its semi-circular steps beautified by geraniums; its irregular
windows which looked like holes; its roof, very steep, ending in a
weather-cock, which in a breeze made a sound like an owl. Behind the
house, I remember, was a basin where muddy wake-robins were bathing or
small carps with white scales were playing. I recall the sombre curtain
of fir trees which hid the commons from view, the back yard, the study
which my father built on the edge of the road skirting the property in
such a manner that the coming and going of clients and clerks did not
disturb the quiet of the household. I recall the park, its enormous
trees, strangely twisted, eaten up by polypes and moss, joined together
by tangled lianas, and the alleys never raked, where worn-out stone
benches rose up here and there like ancient tombs. And I also remember
myself, a sickly child, in a smock frock of lustring, running across
this gloom of forsaken things, lacerating myself in the blackberry
bush, torturing the animals in the backyard or for entire days sitting
in the kitchen and watching Felix who served as our gardener, valet,
and coachman.
Years and years have passed. Everything that I loved is now dead.
Everything that I knew has taken on a new appearance. The church has
been rebuilt. It now has an embellished doorway, arched windows, fancy
gutter-spouts representing flaming mouths of demons; its new brick
belfry laughs gaily into the blue; in place of the old house there now
rises an elaborate Swiss cottage built by the new proprietor who, in
the enclosure, has increased the number of colored glass balls, small
cascades and plaster statues of Love, soiled by rain. But things and
people are engraved so profoundly upon my memory that time could not
apply a burnisher hard enough to erase them.
I want, from now on, to speak of my parents not as I knew them when
I was a child, but such as they would appear to me now, completed by
memory, humanized, so to speak, by intimacy and revelation, in all
the crudity of life, in all the immediacy of impression which the
inexorable experiences of life lend to persons too unhesitatingly loved
and too closely known.
Public-domain text, read in full here on John Shaqi.
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