In the church of Saint-Michel, inside a small chapel, illumined by the red glimmer of a window, upon an altar ornamented with embroidery and vases full of flowers, stood a statue of the Virgin. She had a pink body, a blue cloak bespangled with silver stars, a lilac-colored robe whose folds fell modestly upon gilt sandals.... In her arms she held a child, rosy and nude with a golden halo around its head, and the eyes of the mother rested rapturously upon the child. For several months this plaster Virgin was my sole friend, and the entire time which I could steal from my lessons I used to spend before this image, contemplating its tender colors. She appeared to me so beautiful, so kind and sweet that no human creature could rival in beauty, kindness and sweetness this painted piece of statuary which spoke to me in an unknown and delightful language and from which there came to me something like the intoxicating odor of incense and myrrh. When near her I was in truth a different child; I felt how rosier my cheeks were getting, how my blood was flowing more vigorously in my veins, how my thoughts disentangled themselves more easily and quickly; it seemed to me that the black veil which hung over my mentality was gradually being lifted, revealing new lights to me. Marie was made an accomplice in my stealthy flights to the church; she often led me to the chapel where I remained for hours conversing with the Virgin, while the old nurse fervently recited her Rosary, kneeling before the altar. She had to get me out of my state of ecstasy by force, because otherwise, absorbed as I had been in the dreams which transported me to heaven, I would never have thought of returning home. My passion for this Virgin became so strong that away from her I was miserable and wished I had never left her at all. "Monsieur Jean will surely become a priest," old Marie used to say. It was like a yearning for possession, like a violent desire to take her, to entwine her, to cover her with kisses.