France -- Social life and customs -- 19th century -- Fiction
There were few people in the Bois. On the grand lake drive, carriages
were passing slowly at a considerable distance from one another, the
drivers perched high upon their seats. Sometimes a brougham would leave
the strung-out line, turn and disappear to the trot of its horses,
carrying away God knows where the profile of a woman, or some white
and pallid faces, or the end of a ruffled dress seen for a moment
through the window of the coach door.... My heart and the blood in my
temples were beating faster, impatience caused the tips of my fingers
to twitch; my neck was tired from turning in the same direction in an
effort to penetrate the shadow of the carriages and began to hurt;
anxiously I was chewing the end of a cigar which I could not make up
my mind to light, for fear of missing her carriage in the act. Once I
thought I saw her inside a brougham, which was going in the opposite
direction.
"Turn, turn," I shouted to the driver, "and follow that brougham."
I did not at all reflect whether or not I was acting properly towards a
woman to whom I had been introduced only the day before, and casually
at that, one whose reputation I wanted to see rehabilitated at all
costs. Half leaning against the lowered window of the coach door, I
never lost sight of the brougham. And I was saying to myself: "Perhaps
she recognized me! Perhaps she is going to stop, get out of the
carriage, appear in the street." Indeed, I was saying this to myself
without the slightest notion of attempting a gallant conquest. I
was saying that as if it were the simplest and most natural thing in
the world. The brougham rolled on speedily, lightly, bounding on its
springs, and my hackney coach followed it with difficulty.
"Faster!" I gave the order, "faster, and get ahead of it!"
The driver lashed his horse, which started into a gallop, and in a
few seconds the wheels of the two carriages touched each other. Then
a woman's head, with dishevelled hair under a very large hat, with a
nose comically turned up, with lips cracked from the excessive use of
paint and crimson like a living flesh wound, appeared in the frame of
the coach door. With a scornful glance, she took in the driver, the
cab, the horse and myself, put out her tongue and then withdrew into a
corner of her carriage. It was not Juliette! I did not come home until
night, very much disappointed and yet delighted with my useless drive!
Public-domain text, read in full here on John Shaqi.
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