By the time she reached the sophisticated age of eleven her ideals had
changed, but her principles remained firm. She did not stoop to beg for
her rights, but struck out for them boldly with her small bare fists. She
was a glorious survival of that primitive Kentucky type that stood side
by side with man in the early battles and fought valiantly for herself.
On the hot August day upon which she began to make history, she stood in
the gutter amid a crowd of yelling boys, her feet far apart, her hands
full of mud, waiting tensely to chastise the next sleek head that dared
show itself above the cathedral fence. She wore a boy's shirt and a
ragged brown skirt that flapped about her sturdy bare legs. Her matted
hair was bound in two disheveled braids around her head and secured with
a piece of shoe-string. Her dirty round face was lighted up by a pair of
dancing blue eyes, in which just now blazed the unholy light of conflict.
The feud between the Calvary Micks and the choir boys was an ancient
one, carried on from one generation to another and gaining prestige with
age. It was apt to break out on Saturday afternoons, after rehearsal,
when the choirmaster had taken his departure. Frequently the disturbance
amounted to no more than taunts and jeers on one side and threats and
recriminations on the other, but the atmosphere that it created was of
that electrical nature that might at any moment develop a storm.
Nance Molloy, at the beginning of the present controversy, had been
actively engaged in civil warfare in which the feminine element of the
alley was pursuing a defensive policy against the marauding masculine.
But at the first indication of an outside enemy, the herd instinct
manifested itself, and she allied herself with prompt and passionate
loyalty to the cause of the Calvary Micks.
The present argument was raging over the possession of a spade that had
been left in the alley by the workmen who were laying a concrete pavement
into the cathedral yard.
"Aw, leave 'em have it!" urged a philosophical alleyite from the top of a
barrel. "Them ole avenoo kids ain't nothin'!--We could lick daylight
outen 'em if we wanted to."
"Ye-e-e-s you could!" came in a chorus of jeers from the fence top, and a
brown-eyed youth in a white-frilled shirt, with a blue Windsor tie
knotted under his sailor collar, added imperiously, "You get too fresh
down there, and I'll call the janitor!"
This gross breach of military etiquette evoked a retort from Nance that
was too inelegant to chronicle.
"Tomboy! tomboy!" jeered the brown-eyed youth from above. "Why don't you
borrow some girls' clothes?"
"All right, Sissy," said Nance, "lend me yours."
The Micks shrieked their approval, while Nance rolled a mud ball and,
with the deadly aim of a sharpshooter, let it fly straight at the
white-frilled bosom of her tormentor.
"Soak it to her, Mac," yelled the boy next to him, "the kid's got no
business butting in! Make her get out of the way!"
Public-domain text, read in full here on John Shaqi.
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