Calvin Wilson Mateer, forty-five years a missionary in Shantung, China : $b a biographyFisher, D. W. (Daniel Webster)
Religion
Calvin Wilson Mateer, forty-five years a missionary in Shantung, China : $b a biography
Fisher, D. W. (Daniel Webster)
Mateer, C. W. (Calvin Wilson), 1836-1908; Missionaries -- China -- Biography
When the Mateers and Corbetts came they were, of necessity, lodged in
the quarters already occupied by the Mills family. These consisted of no
less than four small one-story stone buildings clustered near together;
one used for a kitchen, another for a dining room, a third for a guest
room, and the fourth for a parlor and bedroom. Each stood apart from
the other, and without covered connection. The larger of them had been
a temple dedicated to Kwan Yin, whom foreigners have called the Chinese
god of mercy. According to the universal superstition, the air is full of
superhuman spirits, in dread of whom the people of China constantly live,
and to avert the displeasure of whom most of their religious services
are performed. Kwan Yin, however, is an exception in character to the
malignancy of these imaginary deities. There is no end to the myths that
are current as to this god, and they all are stories of deliverance from
trouble and danger. To him the people always turn with their vows and
prayers and offerings, in any time of special need. Partly because the
women are especially devoted to this cult, and partly because mercy is
regarded by the Chinese as a distinctively female trait, the easy-going
mythology of the country has allowed Kwan Yin, in later times, to take
the form of a woman. When the missionaries came to Tengchow, the priest
in charge of this temple was short of funds, and he was easily induced to
rent it to them. He left the images of Kwan Yin in the house. Just what
to do with them became a practical question; from its solution a boy who
lived with the Mateers learned a valuable lesson. When asked whether the
idols could do anybody harm, he promptly replied “No”; giving as a reason
that the biggest one that used to be in the room where they were then
talking was buried outside the gate! At first a wall was built around the
other idols, but by and by they were all taken down from their places
and disposed of in various ways. Mateer speaks of a mud image of Kwan
Yin, about four feet high, and weighing over two hundred pounds, still
standing in his garret in 1870.
Public-domain text, read in full here on John Shaqi.
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