The splendid oaken screen across the choir, dividing the chapel into almost equal portions, was put up in 1536, at the same time as nearly the whole of the stalls. It is rather startling to see the monogram of Henry VIII. and Anne Boleyn, entwined with true lovers' knots, on this wonderful piece of Renaissance woodwork, for in 1536, the date of the screen, Anne, charged with unfaithfulness, went to the scaffold. How was it, we wonder, that these initials were never removed? The screen also reminds us of the changes in architecture and religion which had swept over England between the laying of the foundation stone and the completion of the internal fittings, for, not only had the Gothic order come to its greatest perfection in this building, and then its whole traditions been abandoned and a reversion to classic forms taken place, but the very religion for which the chapel had been built had been swept away by the Reformation. The Tudor rose and portcullis frequently repeated within and without the chapel constantly remind us of the important part Henry VII. played in the creation of one of the chiefest flowers of the Gothic order and the architectural triumph of Cambridge. TRINITY COLLEGE.--Oxford does not possess so large a foundation as Trinity College, and the spaciousness of the great court impresses the stranger as something altogether exceptional in collegiate buildings, but, like the British Constitution, this largest of the colleges only assumed its present appearance after many changes, including the disruptive one brought about by Henry VIII. In that masterful manner of his the destroyer of monasticism, having determined to establish a new college in Cambridge, dissolved not only King's Hall and Michael House, two of the earliest foundations, but seven small university hostels as well. The two old colleges were obliged to surrender their charters as well as their buildings; the lane separating them was closed, and then, with considerable revenues obtained from suppressed monasteries, Henry proceeded to found his great college dedicated to the Trinity. There is something in the broad and spacious atmosphere of the Great Court suggestive of the change from the narrow and cramped thought of pre-Reformation times to the age when a healthy expansion of ideas was coming like a fresh breeze upon the mists which had obscured men's visions. But even as the Reformation did not at once sweep away all traces of monasticism, so Henry's new college retained for a considerable time certain of the buildings of the two old foundations which were afterwards demolished or rebuilt to fit in with the scheme of a great open court. Thus it was not until the mastership of Thomas Nevile that King Edward's gate tower was reconstructed in its present position west of the chapel. On this gate, beneath the somewhat disfiguring clock, is the statue of Edward III., regarded as a work of the period of Edward IV.