During the early part of the reign of Charles I "the University",
says Fuller, "began to be much beautified in buildings, every College
either shedding its skin with the snake, or renewing its bill with
the eagle, having their courts or at leastwise their fronts and
gatehouses repaired and adorned. But the greatest alterations were
in their chapels, most of them being graced with the accession of
organs." Many of the chapel ornaments were subsequently defaced by
Cromwell; but, as has already been stated, King's was left untouched
in the matter of its fabric, its glass, and its brasses. The
elaborate tombs in Caius Chapel were not injured; and the much
earlier tomb--that of Hugh Ashton--in St. John's was also left
undisturbed. The Fellows of Peterhouse took the precaution to bury
the glass which filled the east window of their chapel. It lay
undiscovered, and all of it has now been replaced. Certainly
Cromwell got some plate out of the University, but this tribute was
as nothing when compared to that which went to Charles. Trinity sent
practically its all. King's, as the earlier Royal Foundation, could
not afford to be behindhand. St. John's was Tory almost to a man,
and away went most of her finest silver. "Her contribution", says
the present Master, "was £150 in money and 2065 ounces, grocer's
weight, of silver plate." Among the pieces so lost were some bearing
the names of Thomas Wentworth, Lord Strafford, and of Thomas Fairfax.
For this the College later suffered much indignity. Cromwell
surrounded the place, took the Master a prisoner, and "confiscated
the communion plate and other valuables". Nearly every College had
paid tribute; but the fact that Cambridge was providentially spared
the duty of nursing, either then or afterwards, any part of a Stuart
Court, enabled her to save for posterity as much in gold and silver
works of handicraft as Oxford lost. Thus the Cambridge plate as it
stands to-day is the finest collection of its kind in existence.
[Illustration: FISHER LANE AND GREAT BRIDGE]
Public-domain text, read in full here on John Shaqi.
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