The story we have translated, under the title of The Canadians of Old,
was published in 1862. It is accompanied in the original by a mass of
curious information, in the shape of notes and _addenda_, such as would
hardly interest the general reader. They will more than repay, however,
the attention of any one who wishes to study the French-Canadian people
as they were in their early days. The story itself has the air of being
the product of a happy leisure. The style is quaint and unhurried,
with no fear of the printer's devil before its eyes. The stream of the
narrative, while swift enough and direct enough at need, is taught
to digress into fascinating cross-channels of highly colored local
tradition, or to linger felicitously in eddies of feast and song.
The work begun in Les Anciens Canadiens De Gaspé carried to completion
in his second and last composition, the Mémoires, published in 1866.
As the former work is a vivid epitome of life at the _seigneuries_ and
among the _habitants_ of those days, so the latter reproduces and fixes
for us the picturesque effects of life in the city of Quebec itself in
the generation or two succeeding the conquest--a period during which
the French-Canadian _noblesse_ yet maintained, about the person of
the English governor, something of the remembered splendor of the old
vice-regal court.
C. G. D. R.
_Windsor, Nova Scotia, 1890._
CONTENTS.
CHAPTER PAGE
+Foreword+ ix
I. +D'Haberville and Cameron of Lochiel+ 19
II. +A Night with the Sorcerers+ 31
III. +La Corriveau+ 45
IV. +The Breaking up of the Ice+ 56
V. +A Supper at the House of a French-Canadian
Seigneur+ 76
VI. +D'Haberville Manor House+ 99
VII. +The May-Feast+ 115
VIII. +The Feast of St. Jean-Baptiste+ 124
IX. "+The Good Gentleman+" 137
X. +Madame D'Haberville's Story+ 154
XI. +The Burning of the South Shore+ 167
XII. +A Night Among the Savages+ 180
XIII. +The Plains of Abraham+ 198
XIV. +The Shipwreck of the Auguste+ 213
XV. +Lochiel and Blanche+ 228
XVI. +The Family Hearth+ 254
XVII. +Conclusion+ 269
FOREWORD.
Public-domain text, read in full here on John Shaqi.
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