Few journalists, beginning at the bottom, do not weary of the ladder ere they climb high. Few of such, or of others more enthusiastic, recall the early associations of "the office" with pleasure. Yet there is no world more grotesque, none, at least in America, more capable of fictitious illustration. Around a newspaper all the dramatis personae of the world congregate; within it there are staid idiosyncratic folk who admit of all kindly caricature. I summon from that humming and hurly-burly past, the ancient proof-reader. He wears a green shade over his eyes and the gas burner is drawn very low to darken the bald and wrinkled contour of his forehead. He is severe in judgment and spells rigidly by the Johnsonian standard. He punctuates by an obdurate and conscientious method, and will have no italics upon any pretext. He will lend you money, will eat with you, drink with you, and encourage you; but he will not punctuate with you, spell with you, nor accept any of your suggestions as to typography or paragraphing whatsoever. He wears slippers and smokes a primitive clay pipe; he has everything in its place, and you cannot offend him more than by looking over any proof except when he is holding it. A chip of himself is the copyholder at his side,--a meagre, freckled, matter of fact youth, who reads your tenderest sentences in a rapid monotone, and is never known to venture any opinion or suggestion whatever. This boy, I am bound to say, will follow the copy if it be all consonants, and will accompany it if it flies out of the window.