Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.Stedman, Fabian
Science
Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.
Stedman, Fabian
Bells; Change ringing
before I have shewed: then each Team may be placed 720 ways in the Cart,
and not twice alike, which is to be done according to the methods
whereby the 720 changes on six Bells are rung. So that 38760, which are
the number of Teams, multiplied by 720, which are the number of ways to
vary the six Horses in each Team, the product will be 27907200, which
are the compleat number of Teams; and every Team carrying one Load,
consisting of five hundred Bricks, the Whole will amount to 13953600000
Bricks. And after the proportion of a hundred and fifty thousand of
Bricks to a House, they would build ninety three thousand and twenty
four Houses; which are above six times as many as the late dreadful fire
in _London_ consumed. And at the rate of thirteen shillings and four
pence the thousand, they are worth 6976800 pounds Sterling, which is at
least four hundred Waggon-loads of money, as much as five Horses can
ordinarily draw.
[Illustration: [Fleuron]]
AN
INTRODUCTION
To the Practice of
RINGING
As the original design of casting Peals of Bells was in order to make
pleasant Musick thereon; so the Notes in every Peal are formed apt for
that end and purpose, every Peal of Bells being tun’d according to the
principles of Musick; for in a Peal of six Bells are the six plain
Song-Notes, whereupon all Musick consists, namely, _la sol fa mi re ut_.
But in regard that in ringing of them the Notes cannot be had at
command, as the Notes of other Instruments may; therefore, as the
Practitioners in ancient time found some necessity to cause all the
Notes to strike successively after one another, so likewise they thought
fit in ringing them to place the Notes in this following order. The
least note to lead or strike first, then the Note which is the next
degree deeper or flatter, and so the rest of the notes to strike after
each other according to their degrees, the flattest striking last; in
which order the notes were successively reiterated both at fore-stroke
and back-stroke, from the beginning to the end of each Peal. And at this
day the same order is also observed in raising, ceasing, and ringing
them at a low compass; wherein each note being confin’d to strike in a
certain place, therefore had they their terms of First, Second, Third,
Fourth, Fifth, _&c._ given them, to denote their order and places of
striking; from whence also the Bells derive those terms of distinction
by which they are now known. Although the ringing of a Peal of Bells in
the aforesaid order, (which is commonly term’d _Round-ringing_) is in it
self Musical; yet the Notes may be so placed in ringing, that their
Musick may be rendred much more pleasant: for in Musick there are
Concords, which indeed may be term’d the very life and soul of it, that
renders all Musick exceeding pleasant: the principal are Thirds, Fifths,
and Eights; Thirds are 1 3. 2 4.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account