Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.Stedman, Fabian
Science
Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.
Stedman, Fabian
Bells; Change ringing
The divers kinds of changes on Bells may be comprehended under two
heads, _viz._ Plain Changes, and Cross Peals, which terms are
comparatively given: for as the first are plain and easie only in
comparison to the methods of the second; so consequently the second
cross and intricate in comparison to the methods of the first. I will
first shew in what respect they differ, and then proceed to the methods.
Plain changes (I mean compleat peals) are such as have one universal
method, wherein all the notes except three have a direct hunting course,
moving gradually under each other in one plain and uniform order. But
the methods of cross peals are various, each peal having a course
differing from all others: and although most of them have Hunts, yet the
Hunts have different kinds of motions, and some very intricate. Moreover
plain changes are also term’d Single changes, because in the ringing of
them there is only a single change made in the striking of all the notes
once round either at fore-stroke or back-stroke; whereas in cross
changes ’tis usual to make as many changes as the number of notes will
permit. For example, supposing that a peal of 5 bells were raised, and
rung at a Sett-pull; the notes are supposed to strike round in this
order, 12345: now any two of the notes that strike next together may
make a change, therefore either a single or a double change may be made
at pleasure. The single change is made by changing only two notes; the
double change is made by changing four notes, that is, two to make one
change and two another, yet ’tis called one double change, and not two
changes, in regard ’tis made in the striking of the five notes of the
bells once round: as, admit the treble, second, third, and fourth,
should make a change, ’tis thus to be done, 21435, where the Treble and
Second made one change, and 3, 4 another; which we will imagine to be
made at the fore-stroke of the bells, and therefore ’tis called one
double change, and not two changes, because ’tis entirely made in the
striking of the five notes once round. So that this one double change
has effected that which would have required two single changes to have
done the like. For instance, there can but two notes change their places
at once in a single change, therefore the Treble and Second shall first
change their places thus, 21345; then the third and fourth thus, 21435:
so that here the five notes have gone twice round to effect that, which
in the double change was done in going once round. And this is the
nature of the difference between Plain and Cross changes.
As the Learner ought to proceed regularly in his practice, beginning
first with the plainest and easiest methods. I will therefore observe
that order, and first shew the course and methods of Plain changes.
_The Changes on two Bells._
Two bells are capable to make only two changes, which is to be done by
changing the notes twice, as in these figures.——
Public-domain text, read in full here on John Shaqi.
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