Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.Stedman, Fabian
Science
Campanalogia : $b or The art of ringing improved : with plain and easie rules to guide the practitioner in the ringing all kinds of changes, to which is added, great variety of new peals.
Stedman, Fabian
Bells; Change ringing
Every Hunting note in each peal has a certain number of notes assigned,
through which ’tis always to hunt. The term _hunt_ is given to a note in
respect of the manner of its motion, which I will shew in this example.
First, the notes of four bells are supposed to strike round in this
order, 1234. The Treble shall be the Hunt, and the other three assigned
or appointed for it to hunt through. Now whereas the Treble-note leads,
it must move through its assigned number to strike behind them: and
whereas every change must be made betwixt two notes that strike next
each other, as I have shewed before in the _4th Observation_; therefore
the hunting-note is confin’d to move gradually through the rest by
making a change with each note that strikes next to it; and accordingly
it must first move into the _2d_ place, next into the _3d_ place, and
lastly into the _4th_. So that ’tis to make a change with every note
that lies behind it; first with the _2d_ note, next with the _3d_, and
lastly with the _4th_.
│_1234_
The first change is thus│ 2134
The second thus │ 2314
The third thus │ 2341
The hunting note has here moved through its assigned number; for whereas
at first it did lead, now it strikes behind them. Wherein ’tis
observable, that it made up changes all the way; which of necessity it
must do, because every note with which it was to make a change, lay
behind it: and because it made up changes, therefore ’tis said to have
hunted up. The hunting-note shall now move through its assigned number
again, to lead as at first. Therefore first it must move into the _3d_
place, then into the second place, and lastly into the first place,
which is called the Treble’s place; in which motion it must make a
change with each note that strikes next before it: first with the _4th_
note, next with the _3d_, then with the _2d_.
The first change thus│2314
The second thus │2134
The third thus │1234
Public-domain text, read in full here on John Shaqi.
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