Camps, Quarters, and Casual PlacesForbes, Archibald
History
Camps, Quarters, and Casual Places
Forbes, Archibald
Military camps; Military history, Modern
These were simply a series of minor throne-rooms. The first one in
order from the private apartments was close to the _Bya-dyt_. It must
be borne in mind that the whole suite, including the great audience
hall, were not rooms at all in our sense of the word. They were simply
open-roofed spaces, the roofs gabled, spiked, and carved into fantastic
shapes, laden with dingy gold-leaf garishly picked out with glaring
colours and studded with bits of stained glass; the roofs, or rather I
should say, the one continuous roof, supported on massive deep red
pillars of teak-wood. The whole palace was raised from the ground on a
brick platform some 10 feet high. The partitions between the several
walls were simply skirtings of planking covered with gold-leaf. The
whole palace seemed an armoury. Some ten or twelve thousand stand of
obsolete muskets were ranged along these partitions and crammed into
the anteroom of the throne-room proper. The whole suite was dingy,
dirty, and uncared-for; but on a great day, with the gilding renewed,
carpets spread on the rugged boards, banners waving, and the courtiers
in full dress, no doubt the effect would have been materially improved.
The vista from the throne of the great hall of audience looked right
through the columned arcade to the "Gate of the Chosen"; and that we
might imagine the scene more vividly, we considered ourselves as on our
way to Court on one of the great days, and going back to the gate again
began our pilgrimage anew. The pillared front of the Palace stretched
before us raised on the terrace, its total length 260 feet. Looking
between the two gilded cannon, we saw at the foot of the central steps
a low gate of carved and gilded wood. That gate, it seemed, was never
opened except to the King--none save he might use those central steps.
Raising our eyes we looked right up the vista of the hall to the lofty
throne raised against the gilded partition that closed at once the
vista and the hall. We had been looking down the great central nave, as
it were, toward the west gate, in the place of which was the throne.
But along the eastern front of the terrace ran a long colonnade, whose
wings formed transepts at right angles to the nave. The throne-room was
shaped like the letter T, the throne being at the base of the letter
and the cross-bar representing the colonnade. Entering at the extremity
of one of these, we traversed it to the centre and then faced the nave.
The throne was exactly before us, at the end of the pillared vista.
Five steps led up to the dais. Its form was peculiar, contracting by a
gradation of steps from the base upwards to mid-height, and again
expanding to the top, on which was a cushioned ledge such as is seen in
the box of a theatre. On the platform, which now was bare planks, the
King and Queen on a great reception day would sit on gorgeous carpets.
The entrance was through gilded doors from a staircase in the ante-room
beyond.
Public-domain text, read in full here on John Shaqi.
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