“Now that is my story, and I have told it in the interest of your
trumpery science; but if on any evening hereafter you observe me wearing
this damnable watch, and you have the thoughtfulness to ask me the hour,
I shall beg leave to put you to the inconvenience of being knocked down.”
His humor did not amuse me. I could see that in relating his delusion he
was again somewhat disturbed. His concluding smile was positively
ghastly, and his eyes had resumed something more than their old
restlessness; they shifted hither and thither about the room with
apparent aimlessness and I fancied had taken on a wild expression, such
as is sometimes observed in cases of dementia. Perhaps this was my own
imagination, but at any rate I was now persuaded that my friend was
afflicted with a most singular and interesting monomania. Without, I
trust, any abatement of my affectionate solicitude for him as a friend, I
began to regard him as a patient, rich in possibilities of profitable
study. Why not? Had he not described his delusion in the interest of
science? Ah, poor fellow, he was doing more for science than he knew:
not only his story but himself was in evidence. I should cure him if I
could, of course, but first I should make a little experiment in
psychology—nay, the experiment itself might be a step in his restoration.
“That is very frank and friendly of you, Bartine,” I said cordially, “and
I’m rather proud of your confidence. It is all very odd, certainly. Do
you mind showing me the watch?”
He detached it from his waistcoat, chain and all, and passed it to me
without a word. The case was of gold, very thick and strong, and
singularly engraved. After closely examining the dial and observing that
it was nearly twelve o’clock, I opened it at the back and was interested
to observe an inner case of ivory, upon which was painted a miniature
portrait in that exquisite and delicate manner which was in vogue during
the eighteenth century.
“Why, bless my soul!” I exclaimed, feeling a sharp artistic delight—“how
under the sun did you get that done? I thought miniature painting on
ivory was a lost art.”
“That,” he replied, gravely smiling, “is not I; it is my excellent
great-grandfather, the late Bramwell Olcott Bartine, Esquire, of
Virginia. He was younger then than later—about my age, in fact. It is
said to resemble me; do you think so?”
“Resemble you? I should say so! Barring the costume, which I supposed
you to have assumed out of compliment to the art—or for _vraisemblance_,
so to say—and the no mustache, that portrait is you in every feature,
line, and expression.”
Public-domain text, read in full here on John Shaqi.
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