That was hardly accurate—I had simply dropped it, glass and all.
“There was an old shanty once in the gulch,” Morgan resumed when the ruin
wrought by my awkwardness had been repaired, “but just previously to my
visit it had been blown down, or rather blown away, for its _débris_ was
scattered all about, the very floor being parted, plank from plank.
Between two of the sleepers still in position I and my companion observed
the remnant of a plaid shawl, and examining it found that it was wrapped
about the shoulders of the body of a woman, of which but little remained
besides the bones, partly covered with fragments of clothing, and brown
dry skin. But we will spare Mrs. Morgan,” he added with a smile. The
lady had indeed exhibited signs of disgust rather than sympathy.
“It is necessary to say, however,” he went on, “that the skull was
fractured in several places, as by blows of some blunt instrument; and
that instrument itself—a pick-handle, still stained with blood—lay under
the boards near by.”
Mr. Morgan turned to his wife. “Pardon me, my dear,” he said with
affected solemnity, “for mentioning these disagreeable particulars, the
natural though regrettable incidents of a conjugal quarrel—resulting,
doubtless, from the luckless wife’s insubordination.”
“I ought to be able to overlook it,” the lady replied with composure;
“you have so many times asked me to in those very words.”
I thought he seemed rather glad to go on with his story.
“From these and other circumstances,” he said, “the coroner’s jury found
that the deceased, Janet MacGregor, came to her death from blows
inflicted by some person to the jury unknown; but it was added that the
evidence pointed strongly to her husband, Thomas MacGregor, as the guilty
person. But Thomas MacGregor has never been found nor heard of. It was
learned that the couple came from Edinburgh, but not—my dear, do you not
observe that Mr. Elderson’s boneplate has water in it?”
I had deposited a chicken bone in my finger bowl.
“In a little cupboard I found a photograph of MacGregor, but it did not
lead to his capture.”
“Will you let me see it?” I said.
The picture showed a dark man with an evil face made more forbidding by a
long scar extending from near the temple diagonally downward into the
black mustache.
“By the way, Mr. Elderson,” said my affable host, “may I know why you
asked about ‘Macarger’s Gulch’?”
“I lost a mule near there once,” I replied, “and the mischance has—has
quite—upset me.”
“My dear,” said Mr. Morgan, with the mechanical intonation of an
interpreter translating, “the loss of Mr. Elderson’s mule has peppered
his coffee.”
ONE SUMMER NIGHT
Public-domain text, read in full here on John Shaqi.
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