The wind had now gone down, but I heard, at lessening intervals and
progressively louder, the rumble and roll of thunder. In the pauses
between I now became conscious of a low humming or buzzing which, like
the thunder, grew momentarily louder and more distinct. It seemed to
come from the body of the automaton, and was unmistakably a whirring of
wheels. It gave me the impression of a disordered mechanism which had
escaped the repressive and regulating action of some controlling part—an
effect such as might be expected if a pawl should be jostled from the
teeth of a ratchet-wheel. But before I had time for much conjecture as
to its nature my attention was taken by the strange motions of the
automaton itself. A slight but continuous convulsion appeared to have
possession of it. In body and head it shook like a man with palsy or an
ague chill, and the motion augmented every moment until the entire figure
was in violent agitation. Suddenly it sprang to its feet and with a
movement almost too quick for the eye to follow shot forward across table
and chair, with both arms thrust forth to their full length—the posture
and lunge of a diver. Moxon tried to throw himself backward out of
reach, but he was too late: I saw the horrible thing’s hands close upon
his throat, his own clutch its wrists. Then the table was overturned,
the candle thrown to the floor and extinguished, and all was black dark.
But the noise of the struggle was dreadfully distinct, and most terrible
of all were the raucous, squawking sounds made by the strangled man’s
efforts to breathe. Guided by the infernal hubbub, I sprang to the
rescue of my friend, but had hardly taken a stride in the darkness when
the whole room blazed with a blinding white light that burned into my
brain and heart and memory a vivid picture of the combatants on the
floor, Moxon underneath, his throat still in the clutch of those iron
hands, his head forced backward, his eyes protruding, his mouth wide open
and his tongue thrust out; and—horrible contrast!—upon the painted face
of his assassin an expression of tranquil and profound thought, as in the
solution of a problem in chess! This I observed, then all was blackness
and silence.
Three days later I recovered consciousness in a hospital. As the memory
of that tragic night slowly evolved in my ailing brain recognized in my
attendant Moxon’s confidential workman, Haley. Responding to a look he
approached, smiling.
“Tell me about it,” I managed to say, faintly—“all about it.”
“Certainly,” he said; “you were carried unconscious from a burning
house—Moxon’s. Nobody knows how you came to be there. You may have to
do a little explaining. The origin of the fire is a bit mysterious, too.
My own notion is that the house was struck by lightning.”
“And Moxon?”
“Buried yesterday—what was left of him.”
Public-domain text, read in full here on John Shaqi.
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