Second-Lieutenant Brainerd Byring was a brave and efficient officer,
young and comparatively inexperienced as he was in the business of
killing his fellow-men. He had enlisted in the very first days of the
war as a private, with no military knowledge whatever, had been made
first-sergeant of his company on account of his education and engaging
manner, and had been lucky enough to lose his captain by a Confederate
bullet; in the resulting promotions he had gained a commission. He had
been in several engagements, such as they were—at Philippi, Rich
Mountain, Carrick’s Ford and Greenbrier—and had borne himself with such
gallantry as not to attract the attention of his superior officers. The
exhilaration of battle was agreeable to him, but the sight of the dead,
with their clay faces, blank eyes and stiff bodies, which when not
unnaturally shrunken were unnaturally swollen, had always intolerably
affected him. He felt toward them a kind of reasonless antipathy that
was something more than the physical and spiritual repugnance common to
us all. Doubtless this feeling was due to his unusually acute
sensibilities—his keen sense of the beautiful, which these hideous things
outraged. Whatever may have been the cause, he could not look upon a
dead body without a loathing which had in it an element of resentment.
What others have respected as the dignity of death had to him no
existence—was altogether unthinkable. Death was a thing to be hated. It
was not picturesque, it had no tender and solemn side—a dismal thing,
hideous in all its manifestations and suggestions. Lieutenant Byring was
a braver man than anybody knew, for nobody knew his horror of that which
he was ever ready to incur.
Having posted his men, instructed his sergeants and retired to his
station, he seated himself on a log, and with senses all alert began his
vigil. For greater ease he loosened his sword-belt and taking his heavy
revolver from his holster laid it on the log beside him. He felt very
comfortable, though he hardly gave the fact a thought, so intently did he
listen for any sound from the front which might have a menacing
significance—a shout, a shot, or the footfall of one of his sergeants
coming to apprise him of something worth knowing. From the vast,
invisible ocean of moonlight overhead fell, here and there, a slender,
broken stream that seemed to plash against the intercepting branches and
trickle to earth, forming small white pools among the clumps of laurel.
But these leaks were few and served only to accentuate the blackness of
his environment, which his imagination found it easy to people with all
manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.
Public-domain text, read in full here on John Shaqi.
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