In the meantime the young man was rather a loose fish, anyhow. Between
him and his mother was the most perfect sympathy, for secretly the lady
was herself a devout disciple of the late and great Myron Bayne, though
with the tact so generally and justly admired in her sex (despite the
hardy calumniators who insist that it is essentially the same thing as
cunning) she had always taken care to conceal her weakness from all eyes
but those of him who shared it. Their common guilt in respect of that
was an added tie between them. If in Halpin’s youth his mother had
“spoiled” him, he had assuredly done his part toward being spoiled. As
he grew to such manhood as is attainable by a Southerner who does not
care which way elections go the attachment between him and his beautiful
mother—whom from early childhood he had called Katy—became yearly
stronger and more tender. In these two romantic natures was manifest in
a signal way that neglected phenomenon, the dominance of the sexual
element in all the relations of life, strengthening, softening, and
beautifying even those of consanguinity. The two were nearly
inseparable, and by strangers observing their manner were not
infrequently mistaken for lovers.
Entering his mother’s boudoir one day Halpin Frayser kissed her upon the
forehead, toyed for a moment with a lock of her dark hair which had
escaped from its confining pins, and said, with an obvious effort at
calmness:
“Would you greatly mind, Katy, if I were called away to California for a
few weeks?”
It was hardly needful for Katy to answer with her lips a question to
which her telltale cheeks had made instant reply. Evidently she would
greatly mind; and the tears, too, sprang into her large brown eyes as
corroborative testimony.
“Ah, my son,” she said, looking up into his face with infinite
tenderness, “I should have known that this was coming. Did I not lie
awake a half of the night weeping because, during the other half,
Grandfather Bayne had come to me in a dream, and standing by his
portrait—young, too, and handsome as that—pointed to yours on the same
wall? And when I looked it seemed that I could not see the features; you
had been painted with a face cloth, such as we put upon the dead. Your
father has laughed at me, but you and I, dear, know that such things are
not for nothing. And I saw below the edge of the cloth the marks of
hands on your throat—forgive me, but we have not been used to keep such
things from each other. Perhaps you have another interpretation.
Perhaps it does not mean that you will go to California. Or maybe you
will take me with you?”
Public-domain text, read in full here on John Shaqi.
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