Canada -- Description and travel; Canadian poetry -- History and criticism
It is an anomaly that Montreal, a commercial metropolis of the most
prominent and pronounced type, should be the one Canadian city that
most lends herself to idealisation. One treads her thoroughfares as
if under the spell of some Merlin of old, and sees the moving
panorama of life as if in distance and in dream.
One is led on by invisible hands; he is haunted by voices that for
centuries have been silent on earth; beckoned by some inconceivable
sign and signal in the dreamy blue of the distant horizon, in whose
shades phantom forms are vanishing.
"Flitting, passing, seen, and gone,"
baffling all recognition, yet beckoning by mystic flash from the
ethereal realm. Was it one of these vanishers, questioned the
observer, as a gleam passes in the distance, or was it instead a
flash from some electric circuit, to be scientifically accounted for?
One is steeped in bewilderment, for who indeed may interpret this
legend-haunted air? The life of the dead centuries presses closely
upon the life of the throbbing hour.
The visitor to Montreal instantly feels that anything might be
possible in the strangely fascinating atmosphere of this old-world
city. One has more than crossed the border line between the Dominion
and the United States; one has crossed the border {67} line of
centuries. Is it 1535 or is it 1915? The twentieth century clasps
hands with some dim historic period. The result is bewildering. All
modern beauty of vista, of groups of sculpture, or the architectural
magnificence of stately and splendid public buildings, of magnificent
private residences, of cathedral and churches, of great institutions,
of all latter-day conveniences and luxuries of life--all these, as
one would find in New York or Paris; yet with them, as an intangible
and invisible scenic setting, an impalpable atmosphere lingers, that
haunting impress of the far-away past, of historic associations that
persist with singular vitality; of great personalities who trod these
regions where now stretch away the handsome modern streets; of
intense purposes borne on the air, purposes that struggled to
fulfilment, or went down to temporary defeat in darkness and
tragedy--all these seem to throng about the visitor who for the first
time finds himself in Montreal.
Montreal may be entered by many ways, by land or by sea; but she is
very conveniently entered from New England.
It is a picturesque trip, that between Boston and Montreal, and as
the sun journeys onward to the horizon line the purple valleys and
the rose and amber that tinge the summits of the Green Mountains
afford luxurious contrasts of colour. In the late evening the
brilliant illuminations of Montreal at the west side of the Victoria
Jubilee Bridge, {68} spanning the St. Lawrence River, come into view.
Public-domain text, read in full here on John Shaqi.
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