Canada -- Description and travel; Canadian poetry -- History and criticism
In the vast woodlands one may encounter many happy couples strolling,
not invariably side by side, for there is no surplus space beyond the
width required for the single pedestrian. As they fare forth in true
Indian file, He calls to Her, "Come on"; or occasionally, by way of
special conversational brilliancy, he exclaims in a friendly tone,
"Are you there?" They are possibly making their way over a portage.
The guide has the canoe, reversed, on his head. As they wind along
intricate paths, He goes in advance, and She faithfully follows.
There is all the charm of conversational entertainment when He looks
sideways over his shoulder and exclaims, "Getting on all right?" She
would be ashamed to confess she was not! When their canoe-trip was
projected that morning She, who did not know a canoe from a
constellation, was quite in rapture. As a tenderfoot, as yet
unprofited by the proximity of the wilderness, She descended from her
bower equipped with a parasol for the sun, an umbrella for possible
rain, a handbag duly supplied with pencil, notebook, violet water,
and various feminine conveniences; a volume of her favourite poet in
her hand that He may read aloud to her, and a novel for her own
private delectation, in case He should be oblivious of poetic
ecstasies and like a mere man prefer to smoke and ... dream. But He,
who has seen the wilderness before in the course of his august
career, and to whom canoeing is no mystery, regards Her with
unaccustomed {112} severities and austerities. "You can't take those
things," he laconically observes, with one finger designating her
numerous impedimenta; "upset the canoe." Poet and novelist, to say
nothing of lace-trimmed parasol, are banished; and She receives the
first intimation of an idea that there is some necessity of
equilibrium connected with canoeing.
Public-domain text, read in full here on John Shaqi.
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