Canada To-day and To-morrowCopping, Arthur E. (Arthur Edward)
History
Canada To-day and To-morrow
Copping, Arthur E. (Arthur Edward)
Canada
At night I stood upon a steel suspension bridge that hung high above the
mighty river it spanned. Electric lamps shed light even down to the
water, visible as streaks of foam moving in the eddies. A deep bass
drummed unceasing in the ear, and I knew this muffled thunder came out
of the great ghostly cloud lying in the darkness away up stream. The
deep bass was a background of sound for the treble of crickets piping on
the precipitous banks, black with dense vegetation.
Crossing the bridge, you enter the light and bustle of an American city,
with its stores and saloons and hotels, its girls without hats and its
men without waistcoats.
That night, in cosy quarters on the Canadian side, I was lulled to sleep
by the subdued, dull roar, which next morning greeted my awakening. From
the hotel window I had my first glimpse of Niagara Falls—of a section,
rather, for an outhouse obstructed the view. I saw a wall of water
glistening in the sunlight—green transparency the upper part, opaque
whiteness the lower, with a cloud of rolling vapour at the base. From a
balcony I saw all—the straight American falls on the left, the recessed
Canadian falls on the right, and the intervening island. At that
distance Niagara Falls are peaceful and beautiful. Leisurely the water
curves from the top in flashing emerald; slowly and softly it descends
in thick, broken, snowy coils; indolently it evaporates at the bottom
into pale fog.
The American portion seems small beside the far sweep of the Canadian.
Look curiously and you will see one thin thread of water detached from
the main body of the American falls. During the afternoon I was one of a
party of friends on the island, close to the top of that thread.
Entering a house divided into dressing-rooms, we, under instruction,
exchanged the whole of our own attire for strange, picturesque
costumes—enormous boots of felt tied to the feet with string, blue
woollen knickerbockers, a blue woollen jacket, and an oilskin hat that
covered the ears. Others of the party accepted outer suits of oilskins,
so that they looked like fishermen in northern latitudes equipped for a
hurricane. It was a hot afternoon, and I declined to be burdened with
those waterproof additions. “Oh, very well,” said the attendant with
composure; and he went on munching his chewing-gum.
Out in the roadway we stood in a group to be photographed. Two carriages
came to a standstill in our proximity, and the ladies within them
laughed, and laughed yet again, as they gazed upon us. Beginning to
descend a flight of wooden steps, we met an old man coming up, an old
man who, arrayed like my companions in oilskins, looked to have had a
recent narrow escape from drowning. Wet and glistening, he walked with
bent back and heavy footsteps, a saturated moustache assisting his
melancholy aspect. He was, it seemed, to be our guide, and soon we were
following him down the staircase, which was spiral, and contained within
a wooden tower.
Public-domain text, read in full here on John Shaqi.
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