Canadian Scenery, Volume 1 (of 2)Willis, Nathaniel Parker
History
Canadian Scenery, Volume 1 (of 2)
Willis, Nathaniel Parker
Canada -- Description and travel; Canada -- History
To a French writer, who witnessed the delivery of a solemn
embassy, it suggested the idea of a company of actors performing on a
stage. So expressive are their gestures, that negotiations have been
conducted, and alliances concluded between petty states and communities,
who understood nothing of one another’s language.
The composition of the Indian orators is studied and elaborate. The
language of the Iroquois is even held to be susceptible of an Attic
elegance, which few can attain so fully as to escape all criticism. It
is figurative in the highest degree, every notion being expressed by
images addressed to the senses. Thus, to throw up the hatchet, or to put
on the great cauldron, is to begin a war; to throw the hatchet to the
sky, is to wage open and terrible war; to take off the cauldron, or to
bury the hatchet, is to make peace; to plant the tree of peace on the
highest mountain of the earth, is to make a general pacification. To
throw a prisoner into the cauldron, is to devote him to torture and
death; to take him out, is to pardon and receive him as a member of the
community. Ambassadors coming to propose a full and general treaty, say,
“We rend the clouds asunder, and drive away all darkness from the
heavens, that the sun of peace may shine with brightness over us all.”
On another occasion, referring to their own violent conduct, they said,
“We are glad that Assarigoa will bury in the pit what is past; let the
earth be trodden hard over it; or rather let a strong stream run under
the pit to wash away the evil.” They afterwards added, “We now plant a
tree, whose top will reach the sun, and its branches spread far abroad;
and we shall shelter ourselves under it, and live in peace.” To send the
collar underground, is to carry on a secret negotiation; but when
expressing a desire that there might be no duplicity or concealment
between them and the French, they said, that “they wished to fix the sun
in the top of the heaven, immediately above that pole, that it might
beat directly down, and leave nothing in obscurity.” In pledging
themselves to a firm and steady peace, they declared that they would not
only throw down the great war cauldron, and cause all the water to flow
out, but would break it in pieces. This disposition to represent every
thing by a sensible object extends to matters the most important. One
powerful people assumed the appellation of Foxes, while another gloried
in that of Cats. Even when the entire nation bore a different
appellation, separate fraternities distinguished themselves as the tribe
of the Bear, the Tortoise, and the Wolf. They did not disdain a
reference even to inanimate things. The Black Cauldron was at one time
the chief warrior of the Five Nations; and Red Shoes was a person of
distinction, well known to Long the traveller. When the chiefs concluded
treaties with Europeans, their signature consisted in a picture, often
tolerably well executed, of the beast or object after which they chose
to be named.
Public-domain text, read in full here on John Shaqi.
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