Canadian Scenery, Volume 1 (of 2)Willis, Nathaniel Parker
History
Canadian Scenery, Volume 1 (of 2)
Willis, Nathaniel Parker
Canada -- Description and travel; Canada -- History
This was carried so far that they are described as having at
length become less a single nation than an aggregate of all the
surrounding tribes. The stranger being received into one of the families
as a husband, brother, or son, is treated with the utmost tenderness;
and she, who perhaps immediately before exhausted all her ingenuity in
tormenting him, now nurses the wounds she has made, and loads him with
caresses. He becomes completely one of the clan, and goes with them to
war, even against his former countrymen; and so far is the point of
honour carried, that to return into their ranks would be branded as an
act of baseness. There are, however, many occasions in which the more
inhuman resolution is taken, and a fearful display is then made of the
darkest passions that can agitate the human breast. The captive is
informed of his fate by being invested with moccasins of black
bear-skin, and having placed over his head a flaming torch, the sure
indication of his doom. Before the fatal scene begins, however, he is
allowed a short interval to sing his death song, which he performs in a
triumphant tone. He proclaims the joy with which he goes to the land of
souls, where he will meet his brave ancestors who taught him the great
lesson to fight and to suffer. He recounts his warlike exploits,
particularly those performed against the kindred of his tormentors; and
if there was any one of them whom he vanquished and caused to expire
amid tortures, he loudly proclaims it. He declares his inextinguishable
desire to eat their flesh, and to drink their blood to the last drop.
This scene is considered, even when compared with the field of battle,
as the great theatre of Indian glory. When two prisoners were about to
be tortured by the French at Quebec, a charitable hand privately
supplied a weapon with which one of them killed himself; but the other
derided his effeminacy, and proudly prepared himself for his fiery
trial. In this direful work the women take the lead, and seem
transformed into raging furies. She, to glut whose vengeance the doom
has been specially pronounced, invokes the spirit of her husband, her
brother, or her son, who has fallen in battle or died amid torture,
bidding him come now and be appeased, a feast is prepared for him, a
warrior is to be thrown into the great cauldron; his blood will be
poured out; his flesh torn from the bones: let the injured spirit then
cease to complain. A game begins between the torturers and the
tortured—one to inflict the most intense suffering, the other to bear
it with proud insensibility. That there may be some appearance of open
contest, he is not chained, but merely tied to a post, and a certain
range allowed, within which, while the brand, the hatchet, and every
engine of torture are applied, he can do something to repel his
assailants, and even attack in his turn. He struggles fiercely in the
unequal strife, and while his frame is consuming in agony, still defies
Public-domain text, read in full here on John Shaqi.
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