Canadian Scenery, Volume 2 (of 2)Willis, Nathaniel Parker
History
Canadian Scenery, Volume 2 (of 2)
Willis, Nathaniel Parker
Canada -- Description and travel; Canada -- History
“For the first time of my life did I regret the shortness of a September
day. But my regret soon ceased; for ere night had completely drawn her
sable mantle across the objects of my admiration, over which I still
lingered, a glorious moon, enshrouded in golden robes, kindly lent me
the aid of her beauteous lustre, and quickly diffused through every part
of the landscape new features of loveliness, giving it a character far
more soft and interesting than that with which proud day had invested
it. The stupendous and magnificent machinery of nature, which had
recently bound me in abstraction, was now divested of many of its
peculiar charms. A perfect calm succeeded. The forests appeared sunk in
deep repose. The winds had subsided. The green leaves, no longer
agitated by the breeze, ceased their rustling. Not a cloud floated along
the face of heaven. Every thing around and above seemed to have found
‘Tir’d nature’s sweet restorer, balmy sleep.’
All was still, except the wakeful cataracts that roared with their
wonted violence, and disturbed the basin which groaned beneath the
undiminished burden. Never was there a finer contrast than that between
the noise of the water and the stillness of the air; the golden
effulgence of the rushing flood, and the impenetrable shades of the
surrounding forests; the blackness of the frightful gulf, down which the
waves, with unabating force, are precipitated in crashing confusion, and
the light and cheering face of the spangled heavens, over which the
crescent moon was sailing with modest pride and conscious dignity.
“Sick and insensible must be the soul that could behold with
indifference an exhibition so fine, so varied, so replete with all that
is calculated to please the eye, to arouse the mind, and, in a word, to
raise the whole man above the vulgar level of existence, and make him
sensible, that while he thus contrasts the piccuresque scenery of the
earth with the inimitable grandeur of the heavens, he is standing, as it
were, in the immediate presence of that Deity who ‘measured the waters
in the hollow of his hand, and meted out the heavens with a span’—to
whom he is indebted for all he sees, and all he feels—by whose almighty
power and wisdom the rivers had their appointed sources and obtained
leave to flow, and from whose hands the mountains first received their
appropriate bulk and due conformation.
“I cannot convey to you any idea of the poverty of language that is felt
when one attempts to describe such a combination of grand and uncommon
objects, among which is found every thing essential to constitute the
romantic, the terrific, the picturesque, and the sublime. All that is
awfully grand here occupies a prominent station; and every part is so
tastefully arranged as to make the deepest impression upon beholders,
and to proclaim, in language not less loud than the ‘music of the
spheres,’
The hand that made us is divine.
Public-domain text, read in full here on John Shaqi.
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